Already closed

In The Master's House There Are Many Mansions (FringeNYC)

Members say: Great acting, Banal, Great dancing, Original, Indulgent
78
Critics
78
3 reviews
Members
76
2 reviews
 

Part of FringeNYC: A mortuary in the Fillmore district, San Francisco, 1976. Larry James Fletcher pays final respects to his childhood friend Tyrone, a casualty of police violence. In the chilling embrace of the embalming room he discovers who the real victim is.

... Read more

Categories: Drama, National. From Twilight Repertory Company. Written by Cherry Jackson. Directed by James Vesce, Music Director: Noel Freidline. Choreographed by James Vesce,

 

See all questions

To see or not to see (0)

See all questions

Reviews (5)

See: Critics' Reviews | Members' Reviews
78
Avg Score

65
The New York Times

"This was an outlier: an ambitious revival in a festival dominated by new pieces...In a poetic, surreal manner, the play looks at how black men are raised and, too often, die. Despite the challenging acoustics, Singh and the Freidline successfully created a somber mood with jazz and blues instrumentals, and the tap performer Hill contributed percussive grace notes. Too bad the acting in this production was not always up to the task." Full Review

95
Theatre Reviews Limited

"One of the most challenging pieces of theatre in FringeNYC 2016…‘In the Master’s House There Are Many Mansions’ raises many rich and enduring questions…Under James Vesce’s electrifying direction, the cast is uniformly brilliant and engaging. They each bring authenticity and a level of honesty to their characters that challenges the status quo and reverberates through the performance space with disquieting truthfulness...This is a play that needs to be seen." Full Review

75
Theatre is Easy

"Chilling and stunning in its simplicity…’In the Master’s House’ stays with you, but unfortunately loses some of its effect due to some unconvincing acting. Bracy and N’gaojia play their characters effectively, but in a familiar story, they need not try to sell it as hard as they sometimes do. However Hill, who serves as the show’s percussive instrument, tapping at regular intervals with an exquisite two-piece jazz ensemble, needs no words— he is expressive and brilliant." Full Review

See: Critics' Reviews | Members' Reviews
76
Avg Score

88
Original, Absorbing, Intense, Great staging, Great dancing

See it if You like plays with music and dancing, great dancing! Mysterious, magical realism.

Don't see it if You don't like funeral homes, or death depicted as an actual character.

64
Great acting, Indulgent, Banal, Insipid

See it if Decent acting and the music and dancing were well-executed.

Don't see it if The music and dancing were gratuitous and distracting.