Isolde
57

Isolde NYC Reviews and Tickets

57%
(12 Reviews)
Positive
58%
Mixed
17%
Negative
25%
Members say
Slow, Absorbing, Quirky, Confusing, Thought-provoking

About the Show

Theatre for a New Audience and New York City Players present a new play written and directed by downtown experimental auteur Richard Maxwell, an adaptation of the epic love story of Tristan and Isolde.

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Member Reviews (12)

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30
Banal, Disappointing

See it if The monotone delivery is exasperating. The ending saves the production from being a total bore. Why all the praise??? Should be experienced.

Don't see it if If you want thrilling and thought provoking theater, stay away.

50
Confusing, Disappointing, Slow

See it if you are a fan of the playwright.

Don't see it if you prefer naturalistic acting or dislike minimalist sets.

Critic Reviews (20)

The New York Times
September 10th, 2015

"'Isolde' forces its heroine to choose between the pragmatist and the fantasist...This being a Maxwell play, the lines aren’t quite that clear cut. The cast are all veterans of New York experimental theater. Here they make us aware of the inadequacy of speech, the layers within one scream and the eloquence of longing within a silence."
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Time Out New York
September 10th, 2015

"Perhaps the director has pushed his zero-fakery, total-truth aesthetic to its logical conclusion: letting gifted actors act...It’s the most frankly erotic show I’ve seen from Maxwell. And sure, to any Maxwell newbie, the non sequiturs, cryptic pauses and jarring shifts in tone will seem utterly absurd and weird. So not to worry: Maxwell may be Off Broadway, but his vision keeps its beguiling, hypnotic, beautiful severity."
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New York Magazine / Vulture
September 10th, 2015

"Richard Maxwell’s 'Isolde' belongs to the Mad Libs school of dramaturgy, in which random elements are fitted together to fashion something absurd. Ideally, the way the elements fit or don’t should produce sparks of emotion or at least, as in Mad Libs, peals of laughter. 'Isolde' just sits there, complacently making no sense."
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New York Daily News
September 10th, 2015

"There is some energetic, bare-bottomed boinking in experimental author and director Richard Maxwell’s mostly intriguing 'Isolde.' The meditative pace and quiet create the mood and cast a spell in this work. Four terrific actors are another big plus, especially during a couple yawn-inducing stretches."
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AM New York
September 10th, 2015

"At its best, 'Isolde' presents individuals struggling to defend their needs and viewpoints, which often they cannot actually articulate...By the same token, it is a strange, slow, often puzzling work full of pauses and aimless pontificating. The actors deliver their lines in a disconnected, flat manner, which can be off-putting."
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Theatermania
September 14th, 2015

"Maxwell has been showered with awards and critical praise for his distinctive deadpan style...But if the one-note performances lull the audience into a slumber, they're really not going to hear the words the playwright crafted...The prelude to Wagner's opera 'Tristan und Isolde' plays softly in the background, reminding us of what greater artists have done with the source material. Sadly, at Isolde, one only gets the clumsy sound of a restless audience."
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Lighting & Sound America
September 16th, 2015

"As I took my seat at TFANA, I felt well-versed in the theory of Maxwellian theatre. But nothing could have prepared me for the astonishing dullness of it in practice...Watching 'Isolde,' I felt I was trapped in an exercise in anhedonia. Never has passion felt so limp."
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Talkin' Broadway
September 10th, 2015

"To enter into the world of playwright Richard Maxwell is to forego any expectation of straightforward clarity, richly realized characterizations, or emotional connection. If you can accept these strictures, however, you will be pulled into a bare bones universe that is as compelling as any of Harold Pinter’s what-lies-beneath-the-surface works."
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TheaterScene.net
September 14th, 2015

"'Isolde' is absorbing theater. However, you will either find it pretentious or brilliant depending on what you want from a theatrical experience...While 'Isolde' is never boring, its omissions may frustrate the theatergoer who looks for answers. Those who appreciate being challenged will find it a fascinating experience. However, it is not a concept for everyone."
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Theater Pizzazz
September 14th, 2015

"Too much of the play feels like a graduate level course in acting theory rather than a production with $85 seats...Whether or not you are fond of experimental or avant-garde theater is immaterial. Good experimental theater is, quite simply, good theater. On the other hand, failure to enrapt or capture the audience’s attention or imagination is not. Toward the end of 'Isolde' Massimo whines: 'I don’t know what’s going on!' Neither do we, Massimo. Neither do we."
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CurtainUp
September 11th, 2015

"'Isolde' remains effective at probing the artifice of theater and the ways in which verbal communication can be both vividly expressive as well as woefully inadequate, but the fact remains that Maxwell's project is something of an acquired taste. Some viewers will find his philosophy dissatisfying in its opacity...Whether or not you buy what he has to offer, this new production certainly makes it hard to deny that Richard Maxwell knows what he's doing."
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Stage Buddy
September 16th, 2015

"The narrative unfolds in a series of loose vignettes marked by this manner of dialogue alongside certain moments that feel viscerally, immediately real. This aesthetic, for which Maxwell is heralded as a champion of experimental theater, somehow lets "a fuller, more complex sense of reality emerge." Through his bending of reality, Maxwell and his actors create characters that - even in their surreality - ooze humanity and beg empathy with the nod of a head or a carefully emphasized silence."
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Theatre's Leiter Side
September 10th, 2015

"It’s simply that its story, loosely based on the legend of the adulterous lovers Tristan and Isolde, best known from Wagner’s opera, while superficially interesting in that regard, failed to engage me either by its ideas, characters, dialogue, or dramaturgy. Partly, this may be owing to Mr. Maxwell’s distinctively cool directorial approach."
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Z
September 11th, 2015

"'Isolde' is one of those love-it-or-hate-it plays. The combination of the ancient Irish myth of 'Tristan and Isolde' plus a modern story of infidelity and loss with a soupçon of Wagner sprinkled in, isn’t just a mash-up, it’s a mess...There are some compelling feints at deeper meaning...But then there are moments that leave you wondering if Mr. Maxwell really did just throw a bunch of dialogue lines in the air and pin them down wherever they landed."
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CHARGED.fm
September 16th, 2015

"Ultimately, 'Isolde' proves a challenging play to watch and to understand, though the company seems to have succeeded in creating the play they wanted to make. A puzzle as much as a performance, this new play does what Theatre for a New Audience seems to do best: putting an unexpected new twist on the classics."
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New York Theatre Review
September 16th, 2015

"With the tragic romance of 'Tristan and Isolde' as a kind of backdrop, Maxwell goes on to develop his own myth...Maxwell’s version delves into other realms, about art, identity, the walls between us, the limits of what can be expressed and of humans’ ability to connect. It’s an intoxicating swirl of ideas. If it sounds heady, the play is grounded in a timeless story."
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The New York Times
April 14th, 2014
For a previous production

“Smashing new work...As in many of the romantic tragicomedies of long ago, 'Isolde' forces its heroine to choose between the pragmatist and the fantasist, between reality and escape. This being a Maxwell play, the lines aren’t quite that clear cut...'Isolde' is in a lyrical vein, and the performances tremble on the brink of full, naturalistic emotion...Mr. Maxwell nails his male characters, compassionately but firmly; he knows their games and their weaknesses."
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Time Out New York
April 14th, 2014
For a previous production

"The wry tragicomedy paints in watercolor, in pale washes that saturate your perception for hours afterward...This 'Isolde' is more Chekhovian than operatic, hot blood cooled by humor, self-mockery, sweetness, regret...Nothing is compressed performance-wise, though all play quietly. The quartet works at an incredible, precise pitch—throwing away every line but losing nothing. Richard Maxwell’s stripped-away aesthetic achieves maximum emotional effect."
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B
April 17th, 2014
For a previous production

"Affectless, monotonous, stark, and tremendously poetic. Beautiful, really...It forces the audience to be in a room with themselves and to recognize, in the characters and drama unfolding onstage, the depressingly mundane existence within this unsolvable matrix we call life. I understand how terrifying that sounds, but (just as in real life) there are moments in which you can do nothing else but laugh at it all."
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Montreal Gazette
June 3rd, 2015
For a previous production

"It feels incredibly mannered and stilted, not least when characters keep alternating between poetic passages and thudding banality. There are some interesting ideas here and there about the construction of buildings and memory. But that affectless delivery is just too distracting. It all ends, bewilderingly, with a scene from the medieval myth of the title, complete with tabards and swords, but with the actors still maintaining their gauche stiffness."
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