LUNT AND FONTANNE: The Celestials of Broadway (FringeNYC)

"The show proves to be a wonderful history lesson thanks to Lang’s unique balance between the information provided and how it’s delivered (we learn that they thought of Montgomery Clift as their son and there is a recurring joke about Lynn’s rivalry with Helen Hayes that proves to be a hoot) and the joyfulness of their performances (they also play supporting characters which include Marlon Brando and Vivien Leigh, among others) make the play essential for theatre buffs." Full Review

"This two-hander presents the back-stage story of this famous acting couple whose partnership lasted four decades...This play doesn't turn every stone on the Lunts' remarkable partnership. But what it does uncover and hold up to the light, rings true. Directed by Owen Thompson, this two-hander sensitively portrays the theatrical greats on and off stage. And stranger or no stranger to the legendary duo of Lunt and Fontanne, everybody leaves this show as intimates." Full Review

"At times, 'Lunt and Fontanne' feels more like reading an autobiography than seeing a play, but overall the show is appealing and humorous. And Murphy and Lang certainly have undeniable chemistry, perhaps because they are a real life husband-wife acting duo, just like their characters. 'Lunt and Fontanne: The Celestials of Broadway' certainly shines and brightens the stars of a past era in Broadway history." Full Review

"A tender homage to the legacy of Lunt and Fontanne...Director Owen Thompson leverages the natural chemistry of his actors and the result of this creative collaboration is lovely to behold...Some of the best moments are when Lang and Murphy step out of their title roles to portray other notable friends and associates in the Lunts’ lives...For anyone who loves theatre, loves a grand love story, or simply enjoys an engaging, well-acted historical play, 'Lunt and Fontanne” is a solid win." Full Review

“While ‘Lunt and Fontanne’ is a fine and concise review of their careers for people who have never heard of them, Murphy and Lang make them seem more superficial than necessary. The Lunts’ famous use of overlapping dialogue can be seen in their film of ‘The Guardsman’. Murphy and Lang often use it to talk over each other’s lines making them unintelligible. To portray them as delivering their lines on the same level all time would not have made them as famous as they were.” Full Review

"'Lunt and Fontanne: The Celestials of Broadway' offers a conventional overview of the careers of two great stars the lights of whose memories have dimmed, partly because they refused the lure and lucre of Hollywood. It may prove catnip for those interested in the work and lives of these legendary actors, but, without performances even closely approximating the originals, it remains a pleasant, educational, but ultimately superficial exercise in theatrical nostalgia." Full Review

“'Lunt and Fontanne' is strongest when we see the current acting couple bravely undertake scenes from some of the Lunts' favorite productions including ‘The Guardsman’ and the ‘Taming of the Shrew’…The Lunts seem a natural subject for a stage play, and it’s a disappointment that too many of the 105 minutes of Lang’s play are taken up with a kind of clunky chronology, including an occasional cheery/cheesy direct address to the audience.“ Full Review

“In Mark W. Lang’s bioplay, Alison Murphy is lovely and expressive as Fontanne; Lang, her real-life husband, captures Lunt’s insecurities without demonstrating the great charisma he must have had...But Lang’s script is burdened with clichés and clumsy exposition...It makes one long for a play that captured the vitality of the Lunts, rather than reducing them to talking exhibits in a theater museum.” Full Review

"The era of the grand actors is long over and it is difficult to create these two in particular without seeming exaggerated or unreal, a major problem that neither Mr. Lang as Alfred Lunt nor his co-star Alison Murphy were able to overcome. Where it should have effervesced, it bogged down in a smoothly staged series of biographical skits. Their attempts at embodying these stars were hindered by poor direction by Owen Thompson...The ending was far too misty-eyed and sentimental." Full Review