"The tone goes from frenzied to hysterical to off-the-charts bonkers...When a story begins with its intensity needle as firmly in the red as this one does, there are no options left besides self-combustion...The production ends on yet another abrupt turn, this time into ritualistic violence. Abili throws himself into the scene with committed fury...For a minute or two, fascinated by Abili’s abandon, you may even stop wondering why this is all happening."
Read more

“A wild contemporary Southern Gothic tale coupled with sociological themes. The fierce cast of three acts up a storm to great effect, the events are compelling, and the grotesquely ritualistic finale is unsettling...There’s a lot of finely choreographed movement and ferocious fight sequences...Technically the production is small in scale, but its elements achieve high caliber theatricality...Powerfully dramatizes topical subject matter that’s rarely seen on the stage today.”
Read more

“Calderon does not disappoint...An incredibly intriguing and unique play...It explores themes of mental health, racism, internal struggles with life choices, and human weakness and strengths, during a life altering point in the lives of three people...A strong script, excellent direction, and top level acting...It is given exactly what is required, with no trickery or slight of hand. It is simply a thrilling, powerful, flawless play, and a theatrical gem that should not be missed.”
Read more

"It is an intense performance. It is raw, intimate, and inescapable...The audience and actors reach a level of involvement and critical thinking that other plays rarely achieve. No one is bored during this tumultuous ride...All three characters are masters of their respective crossroad they are at: religion, war, relationships, mental health, and human suffering."
Read more

“Post-traumatic stress disorder, familial conflict, crucifixions and redemption are at the forefront of family conflict in ‘Master of the Crossroads’...The theme of redemption through sacrifice is woven tightly throughout play...The audience gets a glimpse of what the characters are struggling with day-to-day...With these components working harmoniously, ’Master of the Crossroads’ is harsh, dark and eerie to make a point about the poor mental health care that American veterans experience.”
Read more

“One of the most physically intense hours of theater you’ll ever see...’Crossroads’ is the theater experience equivalent of a Rothko painting—you don’t really go to see it for the form or the shape or even the story, you go to have it make you feel something, to take you on a visceral ride...It’s a sit-back-and-be-prepared-not-to-so-much-as-itch-an-itch type of play from beginning to end.”
Read more

“A compelling and masterful drama...The play draws in the audience at a primal level as we see three individuals struggling with the affects of PTSD...Calderon explores themes of hyper-religiosity, betrayal, guilt, denial, rituals, mental health, the trauma of war, and the insidious effects of poverty and racism to weave together a troubling tapestry...The acting...is mesmerizing...They are directed...in a way that gives them free rein to vent their rage, frustration and fear.”
Read more