See it if You want to support someone in the cast.
Don't see it if You value your time. The way the head sort of “appears” to come to life while on the bar is the ONLY thing that comes close to interesting.
See it if avant-garde, absurdness amuses you. Lots of funny bits. Fuzzy plot line . Multiple explorations of roles: family members, gender, worker etc
Don't see it if you like a clear plot and consistent characters.
See it if Like the it touch very little a bbn out the day of the dead. Like the mother makeup, music was good.
Don't see it if The story was ok, but part was outdated, to me. Slow moving.
See it if You enjoy absurdist theatre and rom-coms.
Don't see it if Dislike plays that feel less like a narrative and more like a series of Meisner exercises. Dislike reductive gender stereotypes on stage. Read more
See it if You're down to see ANYTHING at this point.
Don't see it if You want to see a show that's coherent and not just a jumble of ideas smashed together. Read more
See it if You like loud salsa music, which I do, best part of the play and will keep you awake...
Don't see it if You want an entertaining cohesive theater piece...
See it if Like good music and maybe expecting to see Bruce Willis sitting next and explaining the idea of the show
Don't see it if Like to understand what is going on on stage
See it if Really like magical plots, possible symbolism, absurdity, and a bit of camp.
Don't see it if like clear plots, well-rounded characters, and performances that connect. Read more
"It remains an unsteady comedy/fantasy never morphing into a smooth-running play...Richard Caliban directs with an eye on speed which too often clouds whatever good qualities the show has."
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Two teenage missionaries are sent to Africa to spread the word of Jesus Christ. What could go wrong?
A modern-day reimagining of Shakespeare’s Hamlet centered around a queer, Black man.
New York premiere of a play shortlisted for the 2012 Susan Smith Blackburn Prize.