Qaddafi's Cook (FringeNYC) NYC Reviews and Tickets
Member Reviews (12)
See it if You are interested in Qaddafi, cooking, life of dictators. Shows that give serious subjects comedic overlays
Don't see it if If you're looking for something happy. If you really need a comfortable, cool theater
See it if You like food You are interested in politics You like a story based on a real anecdote Interested in what happen to Qaddafi's chef
Don't see it if You like action You like staging You like a big production Don't like narrative Don't like voice over Don't like to imagine things
See it if You value your life
Don't see it if You dont appreciate art
See it if you don't mind a well-intentioned but poorly executed show where many lines are delivered in a hard-to-follow accent
Don't see it if you do mind a well-intentioned but poorly executed show where many lines are delivered in a hard-to-follow accent
See it if genius comic acting, delightful writing, unique, and political
Don't see it if you need a clear, light story
See it if you want to see a good actor - Alvaro Flores- work his heart out to bring energy, character & skill to a role & really engage an audience
Don't see it if you have a short attention span. This could be really absorbing & interesting as a radio play but did not lend itself well to live theatre
See it if You enjoy a unique take on history
Don't see it if You have a bean allergy
See it if You like food, politics, danger
Don't see it if You have a fear of dictators
Critic Reviews (3)
"If the purpose of food is a metaphor for Qaddafi’s terror, and its existence is to make that connection more real for those in the audience, then how everyone relates to it on a sensory level should be better executed. Still, 'Qaddafi’s Cook' is beautifully done and a triumph of minimalism and immersive theater. It is equal parts intense, charming, and, like any good meal, satisfying."
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"Sous chef Fredy (Alvaro Flores) adds action and engaging commentary to investigator Paula Madrigal's expressive reading of his boss Sergio's supposed diary of their month-or-so remunerative captivity as Qaddafi's Mexican components of his cooking team...Under Lynn Lohr's masterful direction, Madrigal has the audience on the edge of their seats by the point in the diary when it seems the pair can gracefully exit the country."
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"A powerful piece of theatre…An extraordinary play about cooking and politics…Paola Madrigal was specifically chosen for the role because of the Outstanding Actress Award from last year’s SDIFF. Of the same caliber is Alvaro Flores trained in London as an actor and a mime in France–one can tell by the way he moves across the stage. They deliver great performances…Do not miss this fine performance."
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