Queen of Hearts NYC Reviews and Tickets
Show-Score Member Reviews (255)
See it if you want to experience a night of burlesque down the rabbit hole. the burlesque acrobatics and dancers were great. singing and music killed
Don't see it if you don’t like burlesque. don’t bother if haze, strobe lights, and scents bother you.
See it if You like burlesque and chaos.
Don't see it if You want a traditional meat and potatoes show. You hate commuting to Bushwick, the absolute middle of nowhere. Read more
See it if -
Don't see it if -
See it if You are an Alice in Wonderland fan looking for a unique show experience
Don't see it if You are looking for a traditional broadway experience
See it if you want to see beautiful dancers, singers, and acrobats give a unique rendition of Alice in Wonderland.
Don't see it if you don't like to see scantily clad persons and cross-dressing.
See it if You enjoy productions by Company XIV, want a fun, sexy night filled with great singing, dancing, circus / aerobics. Fascinating costumes
Don't see it if You’re sensitive to scents (the venue is covered in a cinnamon scent), haze, strobe lights. (Near) nudity, sexually suggestive content
See it if you like acrobatic burlesque performed by beautiful men/women/etc.. in an Alice in Wonderland themed show, with some great singing thrown in
Don't see it if you don’t like adult/sexual theater, are an Alice in Wonderland purist, or are afraid to go to Brooklyn Read more
See it if you enjoy cirque du soleil and burlesque-style performance art. It was an entertaining variety show with great performances.
Don't see it if semi-nudity makes you uncomfortable...also, it is smoky in the space (in case that is a health issue).
Critic Reviews (7)
"an erotic adventure through wonderland"
Read more
4/5 Stars "A singular sexcess: a transporting fusion of haute burlesque, circus, dance and song...With its soundtrack of pop songs, attractive ensemble cast and immersive aesthetics, 'Queen of Hearts' feels like 'Moulin Rouge!' for actual bohemians. Hell, it even has a cancan."
Read more
"Featuring a seemingly endless cavalcade of classy burlesque acts and scandalous comedy routines that will appeal to adults of every sexual persuasion, 'Queen of Hearts' is the best date-night show in New York City right now...A sophisticated smorgasbord of smart, sexy performances seasoned with a naughty pinch of S&M...For the most part, 'Queen of Hearts' lets us trade the madness outside the theater for an intoxicating, exquisite madness within."
Read more
“’Queen of Hearts’ is inspired by Lewis Carroll's story of Alice's adventures down the rabbit hole...McCormick has shaped the presentation around the talents of a wondrous ensemble...Combining the 17th Century style of the court entertainments enjoyed by King Louis XIV of France with more contemporary sensibilities...Like their past productions, ‘Queen of Hearts’ is an adventure for the senses in a captivating world of erotic imagination.”
Read more
"McCormick and his company have tapped into the contradictions of Carroll’s masterpiece in an experience that extends beyond the fourth wall and five senses where opulent and derelict, masculine, feminine, and androgynous, classic and modern, high-brow and glitter gutter all simultaneously exist...Highest stage honors for the evening go to quadruple threat Richardson as The Mad Hatter whose belting, comedic and dance chops become eclipsed by her haunting rendition of 'Mad World.'"
Read more
"[Austin] McCormick, who directed and choreographed, tells the story through dance, music and acrobatics…The lyrics connect to Carroll's story thematically, though sometimes obliquely, with a word or a sentiment."
Read more
“An imaginative, visually stunning, musical send-up of the children’s classic...Overlong...and not all of the numbers impress equally; but the sheer ability of the performers...is often nothing short of astonishing...’Queen of Hearts’ invokes the source material while using virtually none of its language...’Queen of Hearts’ finds elevated company in its use of ‘Alice’s Adventures In Wonderland’ as both gimmick and foundational subject matter."
Read more