"Borrowing from Russian theater heavyweights like Gogol, Mayakovsky and Andreyev, 'Ramona' has its stalls and sputters — some repeated scenes, some indifferent clowning. Yet marvels abound....All aboard!"
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"The arc of the narrative—with its sometimes wild twists and turns—climaxes in the heartbreaking ends met first by Ramona and then by Ermon, all capped by an apotheosis-like denouement...This is a production that would require multiple viewings for English speakers to grasp all the nuances."
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"Gabriadze insists that his theatre is for adults and that each of his shows addresses complex philosophical issues – although this does not prevent the onstage inclusion of a talking flashlight or a chattering chicken...'Ramona' is a show about how the past can never be brought back and can never be recaptured, and how the real world tramples on romantic love."
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