"Mr. Erlbach’s deeper concern is the act of artistic creation — a metaphor largely obscured in this lopsided, fast-paced production...Farce and philosophical reflection don’t pair easily in the overloaded script, and the realistic staging impedes the experiment...The play’s payoff is supposed to come in a mystical moment related to Daniel’s art, but the frenzy of this production crowds out whatever magic there might have been."
Read more

"Insightful commentary on relationships and the treacherous offspring they leave in their wake hovers near the surface of Erlbach's new work, but has not been molded with the precision it needs to reach its lofty goals. As Daniel says, quoting Michelangelo over his sculpting table, "I saw the angel in the marble, and carved until I set it free." Sex of the Baby just needs a little more carving."
Read more

"Adroit as the actors are - and Michelle Bossy's direction is adroit, for the most part -playwright Erlbach's introducing bits of sitcom and then high histrionics and then a wild-eyed neighbor in what becomes an annoying mishmash is irreversibly off-putting. It's the kind of off-putting that has a reviewer thinking twice when the next Erlbach work comes along."
Read more

"Erlbach’s uneven play veers erratically from contemplative dramedy to high-octane sex farce...The members of the six-person ensemble navigate this bifurcated work to varying degrees of success."
Read more