"The star is the wonderful, nuanced and fascinating Kathryn Erbe, and the author, Selina Fillinger, is such a good writer...Fillinger manages to keep you riveted by writing about alarming contemporary issues with a style rarely encountered on today’s stages—real people saying real things to each other. The style some people might label old-fashioned is fresh as a spring blossom after a hard winter when it’s applied to a lethal subject."
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"The play, which rapidly alternates scenes between Charlotte and either Doug or Joey, leads to an inevitable climax when the three meet and Charlotte’s subterfuge is exposed. The acting is consistently strong, with Kathryn Erbe’s performance being especially powerful...Margot Bordelon’s direction is fluid and unfussy. While the plot has a few weak spots, the play is consistently absorbing and my overall reaction is quite positive."
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“An astonishingly confident play...Watching the play gave me the disorienting sensation of constantly being on shifting ground. It’s a feeling that’s not dissimilar to real life, which gives the play an ambiguous, contemporary authenticity that many similar new plays don’t quite fully achieve. That Fillinger achieves this with grace and considerable emotional potency is a testament to her talent...The production also features the exemplary work of a trio of excellent actors.”
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"A beautifully observed, richly compassionate new drama...’Something Clean’ covers a remarkable amount of ground. Some of its plot contrivances creak a bit...But in focusing on the ripple effects of a sex crime on one unextraordinary life, ‘Something Clean’ keeps readjusting our point of view, along with Charlotte’s, on the widespread implications of such acts and the nature of the culture in which they occur...All three performers are pitch perfect."
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"Bordelon elicits spot-on performances from all three members of the cast. The writing sometimes slides into didacticism...But for the most part, Fillinger’s meticulously constructed drama smartly focuses on the personal, not the political...Watching Charlotte parse her past while trying to plan a productive future can be discomfiting; there are moments when it feels hard to muster empathy for a woman who raised a rapist. But that's what makes 'Something Clean' so heartrending."
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“It’s solid and fluid, predictable but not monotonous. Its perhaps inevitable moments of contrivance feel mostly forgivable, and in Margot Bordelon’s swift, no-frills production, the show’s three actors all eventually ease into themselves, delivering sensitive, well-observed performances. And the results are — fine...Ultimately, the play’s most daring suggestion in our current climate is that none of us are free of the human responsibility of empathy.”
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“The playwright displays a keen ability for well-drawn characterizations and astute, frequently darkly comic dialogue in her concise drama...Fillinger admirably refrains from spelling out everything too clearly, resulting in an intriguing ambiguity, even while making clear that pain is best healed through strong emotional connections...The actors deliver nuanced performances...The play's staging proves slightly awkward...But the emotions on display always ring true.”
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"The production features some well-performed scenes...Bordelon keeps the pace of this play brisk, but ultimately the play lacks the ring of authenticity, giving us instead sentimental and psychologically heavy-handed scenes that clutter an otherwise resonant story...There's much to admire in this small production...The play begins to wobble, though, in the dumpster scenes...Sensationalist missteps undermine the play's insights."
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