Syncing Ink
90

Syncing Ink NYC Reviews and Tickets

90%
(23 Reviews)
Positive
100%
Mixed
0%
Negative
0%
Members say
Absorbing, Great acting, Entertaining, Ambitious, Clever

About the Show

The Flea presents a semi-autobiographical coming-of-age story about a high-school student's pursuit of freestyle rap. The play is told largely in freestyle, working off audience prompts rather than scripted text.

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Member Reviews (23)

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75
Clever, Slow, Quirky, Energetic, Fluffy

See it if Lots of upbeat rap music and dancing. Talented, energetic cast. Impressive finale.

Don't see it if Story progresses in obvious ways and bogs down in the middle. Boring dialog.

82
Entertaining, Great singing, Refreshing

See it if Enjoy hip-hop music and high energy. Setting is in a high school with teenage rivalries. Audience participation and enthusiasm.

Don't see it if You dislike loud hip-hop music. The show is 2 1/2 h w/15 min intermission. Foul language and sexual connotations. Read more

Critic Reviews (15)

The New York Times
October 10th, 2017

"Unfortunately, Mr. Njikam’s lyrics don’t have the wit or verbal dexterity of their old-school influences, and the story bogs down, despite flashes of satirical inspiration...What matters here is not the predictable destination, but how we get there...The show has an infectious energy and benefits from a superb cast that rises to the athletic hip-hop choreography by Gabriel Dionisio, a.k.a. Kwikstep."
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Time Out New York
October 8th, 2017

"Blends hip-hop and West African performance traditions into a new and exciting theatrical form...'Syncing Ink' seamlessly incorporates music and dance into a cohesive structure that feels all its own. Hip-hop here is spiritual, elemental, and integral to the play’s world: It’s in the language, the physicality, the architecture. Every movement seems like part of a larger whole, as though the characters were navigating a shared rhythm. And when they rap, it has the urgency of life and death."
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Theatermania
October 10th, 2017

"The story 'Syncing Ink' tells is rather thin and the characters never progress beyond the one-dimensional...As sheer spectacle, 'Syncing Ink' is often exhilarating...Above all, Njikam's show offers a brilliant display of the physical and vocal prowess of its performers, all of whom make memorable impressions with their distinctive characters. 'Syncing Ink' is the equivalent of a less-than-great album with just enough great singles to make the experience still worthwhile."
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Lighting & Sound America
October 10th, 2017

"A rush of invention and youthful high spirits...It's a messy, ambitious piece, with no shortage of flaws, but they pale in comparison with the wit and originality on display, not to mention its celebratory, wide-angle vision of African American culture...Under Niegel Smith's direction, too much is barely enough, and just about everybody goes over the top from time to time, sometimes undercutting the fun with excess energy...Then again, Smith has elicited strong performances from everyone."
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TheaterScene.net
October 11th, 2017

"Dynamically presented and euphorically performed...It’s simultaneously exhilarating and wearying...Njikam offers a witty take on the classic mythology of a hero’s episodic journey with a lively African-American slant...Director Niegel Smith and choreographer Gabriel 'Kwikstep' Dionisio’s collaboration results in a thrilling unison of movement and dance. The cast is all over the four-sided, relatively bare playing area, magnificently dancing and perfectly placed throughout."
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Theatre is Easy
October 8th, 2017

"Even more impressive than the written script is the fact that much is unscripted. The actors freestyle rap many significant parts, creating something new and different each night, pushing the boundaries of what musical theatre can be. It is through this combination of oral and written verse that Njikam honors both the African and the American styles of storytelling...What NSangou Njikam has created runs far deeper than a hip hop musical—Njikam has created a masterpiece."
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Theatre's Leiter Side
October 10th, 2017

“The show…is nearly two hours and 40 minutes long and stuffed with crude banalities. That doesn't stop if from dancing through the night with such ebullience and talent that nothing could be easier than to forgive its various faults…Technically, the show couldn't be better…Smith's staging…is a master class in theatrical creativity; each move and gesture is rhythmically calibrated…There are few Off-Broadway ensembles as remarkably multitalented and charismatic as this one.”
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The Huffington Post
October 8th, 2017

"The outcome won’t be revealed, because the resolution is too obvious to waste time on...The cast members spout abundant challenge hip-hop, often melting into Gabriel 'Kwikstep' Dionisio’s tough choreographic patterns that show off their movement prowess—prowess that’s extensive and impressive...It’s so spirited that it rouses audience to various responses...I admired many of the 'Syncing Ink' elements."
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Off Off Online
October 11th, 2017

"Though comic, with touches of social satire, 'Syncing Ink' is a touching depiction of a sensitive adolescent’s efforts to 'reach down to the recesses of [his] recesses' for self-understanding and artistic expression...'Syncing Ink' comes close to being an overdose of hip-hop high jinks, but it managed to sustain interest. Principal credit for that goes to Smith and Gabriel 'Kwikstep' Dionisio for the high-velocity direction and choreography, respectively, and to the six sprightly cast members."
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A
October 19th, 2017

“This musical crossover of hip-hop expands on the stylistic innovations of ‘Hamilton’ to demonstrate the power of this uniquely American subculture (Hip Hop) to create personal, emotional impact. This play features love, rivalry, failure, and redemption. The absolute fantastic meter soars in this play due to the accomplishments of the actors. Their combined ability to dance in complex break dancing moves as well as to change character brought the whole thing together seamlessly.”
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T
October 11th, 2017

"The play’s connection with Yoruban folklore combined with the rhythm of its music and rhymes makes for engaging theater...Although 'Syncing Ink' manages to be powerful and fun at the same time, the last third of the play has fairly predictable beats. Of course, the ending is sweet and touching and the music makes you want to stick around to dance, so there’s really not much to complain about."
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New York Theatre Review
October 16th, 2017

“How can a show be so good?!...How can a play be a dance party, a rap battle and at the same time- an intimate story about a son learning to grow up...A theatre spectacle in a hip hop cipher that never stops or falters...The show moves at a lightning pace as it bounces from sketch comedy to religious rites and personal stories...There are not enough praiseworthy words to heap on the ensemble of performers/rappers/dancers/singers/freestylers.”
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M
October 13th, 2017

"The ensemble is absolutely adept with spoken word dexterity, wonderfully surprising versatility in the various characters they played, fantastic range in their dancing, fluent in every language of rap...I cannot express enough how impressed I am with Njikam’s writing...The original, interesting, and funny characters he created while telling truths about his experience, makes 'Syncing Ink' an experience you have to see for yourself. I honestly hope you do."
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HoustonPress
February 11th, 2017
For a previous production

“The story is textbook but the rap is the real deal…A tremendously talented cast…‘Syncing Ink’ takes a well-worn narrative arc and for the first half of the show breathes fire into it by virtue of the music which neither dumbs down for a novice audience nor condescends to the initiated. We love these characters and their rhymes enough to squirm through the oddly circuitous second act and come out cheering full throttle for an ending that we know is too neatly tied up in a pretty bow.”
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Regal Mag
February 10th, 2017
For a previous production

“A play that is hip-hop to its core with no apologies for its rawness or blackness…One of the most creative plays to come out in a long time. Do not be surprised to see it soon on Broadway because it is just that remarkable. The cast was selected perfectly and the songs that provide the soundtrack will be music to any true hip-hop head’s ears...The entire cast shines…Except for a few botched lines, the cast put on a flawless performance.”
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