See it if you're a Miller fan. Script is superb (altho needs cuts). Acting is mostly strg. Many gd directorial choices, but not all. Women very strong
Don't see it if you want even tone. Overture is stylized/absurdist. Bright lights in eyes. Some bad sightlines. Pathos of end diminished.Immersive staging.
See it if You want to experience a somewhat new somewhat immersive take on this classic play. Mostly excellent performances. Very timely.
Don't see it if You can’t take sitting in really uncomfortable seats for 3+ hours or if you’re a purist. Some of the directorial choices just don’t work. Read more
See it if Great acting and staging . Arthur Miller's classic done a new way. About the witch hunt in Salem Mass. Kinda like the one in Washington DC.
Don't see it if Don't know why it was not performed on Connelly stage . Chairs uncomfortable for 3 hours.
See it if you would enjoy a different staging of this Arthur Miller classic.
Don't see it if you want an even production - some acting and humor grated on me, actors spread out & talking with backs to me made for missed dialogue. Read more
See it if your are ready to feel chills as Bedlam's extreme physicality enriches the brilliant script. Exciting drama!
Don't see it if you want something light and cheery. This is serious drama taken to an extreme.
See it if u want to see a creative, accessible revival of MIller's indictment of McCarthyism that's almost tailor-made for our conspiracy theory era.
Don't see it if u don't like your American classics deconstructed; you expect something truly radical from this oft-iconoclastic theater company. Read more
See it if Bedlam's kinetic, whip-lashing staging of Miller's forever timely allegory truly captures the hysteria of the period w/o subverting the text
Don't see it if Despite 3 hr length, the pace is unrelentingly feverish & jarring (esp in courtroom scenes) Anchored by fine work from Quinn & Millonzi
See it if you’d like to see a clear (if quirky) production of an American master’s most beautifully constructed play.
Don't see it if you want your Arthur Miller straight: This one plays in a few different registers. Read more
CRITIC’S PICK "A ‘Crucible’ for the Modern Mob: Eric Tucker updates the allegorical play about the Salem witch trials, directly implicating the audience in its examination of mass hysteria."
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4/5 Stars "Bedlam's characteristically smart, stripped-down production pulses with an electric current and lays bare the play's bitter truths. It is as gripping and revelatory a Miller production as New York has seen in years, and a bracing reminder of what a real witch hunt looks like."
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"The Understated Charms of 'The Underlying Chris,' and a 'High-Decibel Crucible'"
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"Fit for Our Times: Eric Tucker’s staging, suited for the #MeToo moment, has opened off Broadway."
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"'The Crucible' Conjures the Moral Panic That Fuses American Generations Together: Bedlam revives Arthur Miller's 1953 play about the Salem witch trials."
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"Eighty percent of Bedlam's new production of 'The Crucible' (staged in association with The Nora Theatre Company) is so thunderously good that you're likely to forgive the haywire twenty percent."
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4/5 Stars "In Bedlam's exciting and extremely fluid staging, the 14-member ensemble delivers a blazing performance in dark, relatively intimate, 99-seat circumstances."
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"In the past, the play was seen as a cautionary tale about the McCarthy Era witch hunt...Now in 2019 it becomes a story of truth and lies, fiction and fact. One of the judges refers to the situation in Salem as "this swamp." In the age of Trump, Miller's play has new meaning for our time."
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A modern-day reimagining of Shakespeare’s Hamlet centered around a queer, Black man.
A long-running revival of Kander and Ebb's satirical musical about lust, treachery, and murder.
New York premiere of a play shortlisted for the 2012 Susan Smith Blackburn Prize.