See it if you like experimental theater with demanding acting, done very well, in the round, supported with excellent lighting and sound.
Don't see it if you want everything to make sense on its own - you have to fill in what is going on and some of the action is stuck-in-time repetition.
See it if you’d like to encounter a thrilling piece of contemporary European theater, or see a nightmare staged with admirable (if creepy) lucidity.
Don't see it if you are looking for a traditional play: In this production both subject matter & form are eccentric. Read more
See it if you like surrealism performed with panache and precision.
Don't see it if you want a plot and characters that change.
See it if you like existential dramas set in a surreal dystopian landscape. You're interested in the physical aspect of theater.
Don't see it if you want a fun, easy-to-follow plot with solid conclusions. You don't like surrealism. You can't get past the idea of a talking dog. Read more
See it if If you like edgy shows with complicated plots.
Don't see it if If you like shows that have a simple plot that are not edgy.
See it if you do not care about plot, like, at all.
Don't see it if you have control issues or you absolutely need things to make sense. You don't want to risk being showered with sand. Read more
See it if you want to see challenging, experimental theater done exceptionally well. Great acting, smart staging and wonderful production values.
Don't see it if you want a simple story told simply. It's complex and confusing.. but that may be the point.
See it if You like absurd dramas in the vein of Kafka.
Don't see it if You’re not into existential absurd fare.
A modern-day reimagining of Shakespeare’s Hamlet centered around a queer, Black man.
A long-running revival of Kander and Ebb's satirical musical about lust, treachery, and murder.
New York premiere of a play shortlisted for the 2012 Susan Smith Blackburn Prize.