The End of Eddy NYC Reviews and Tickets

78%

(7 Reviews)

Positive

86%

Mixed

14%

Negative

Members say

Great acting, Intelligent, Informative, Absorbing, Intense

About the Show

Based on the autobiographical novel, this gay coming-of-age story follows Édouard Louis as he is bullied relentlessly, growing up in poverty in working-class France.

From the show:

Édouard Louis was born into poverty in working-class France. He was bullied relentlessly for being gay. And he was utterly desperate to escape.

Written when he was just 21, Louis’ internationally acclaimed autobiographical novel The End of Eddy captures his deeply resonant coming-of-age story. Now, in this compelling and charismatic staging (introducing Oseloka Obi and James Russell-Morley), we bear witness to his affecting reflections on youth, sexuality, class, power, and freedom.

This is a story for anyone who has ever felt like they didn’t fit in.

Member Reviews (7)

Sanitized, Adolescent, Informative, Creative

See it if to see an inventive (& oddly chipper) staging of Édouard Louis' hapless French working-class coming out story as told by his boyhood self(s)

Don't see it if u expect a stark, raw, unapologetic portrayal of Louis' formative years. [It feels at times like a "safe" version suitable for kids theater] Read more

Great acting, Great staging, Clever, Ambitious, Absorbing

See it if enjoy the work of Edouard Louis, like gay coming of age stories, like use of video & film, youthful exuberant performances, escaping

Don't see it if don't like gay content, tales of bullying and loneliness, feels aimed at a younger (YA) audience, negative family stories

Critic Reviews (4)

"Fleeing Home, but Not Homophobia: Two plays based on the autobiographical novels of Édouard Louis put the problem of violence against gay men in a larger social context."
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"What Makes the Man: Édouard Louis’s 'History of Violence' and 'The End of Eddy'"
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"The repetitive use of this storytelling device becomes tiresome, much like the direct address style of the piece. The dark territory the book explores is merely hinted at, and the additions that Carter makes…feel unhelpful, even unnecessary, given the well-rounded source material."
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"Parts resemble a book report for school, but won't be mistaken for a story hour because of the inventive stagecraft and the rawness of the stories -- relentless bullying, deadened people in a dying factory town, his sad and funny efforts to 'be a man,' his sexual experimenting."
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