The Father (TFANA)
Closed 1h 45m
The Father (TFANA)
83

The Father (TFANA) NYC Reviews and Tickets

83%
(32 Ratings)
Positive
91%
Mixed
9%
Negative
0%
Members say
Great acting, Intense, Absorbing, Intelligent, Thought-provoking

About the Show

Theatre for a New Audience presents August Strindberg's startling vision of marriage and the battle of the sexes.

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Show-Score Member Reviews (32)

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174 Reviews | 39 Followers
100
Absorbing, Great acting, Masterful, Must see, Profound

See it if It was a privilege to be in the audience to experience Mr Langella's performance.

Don't see it if This is a must see play and performance

170 Reviews | 162 Followers
92
Riveting, Masterful, Great staging, Great acting, Profound

See it if In a relationship, got a partner, want to understand your parents? See this superb production. Sorry, you only have one more day, till 6/12.

Don't see it if You might have a tough time getting in, but try. I see no reason not to see this battle of the sexes play. Getting hitched? Think twice.

271 Reviews | 58 Followers
92
Great writing, Intelligent, Intense, Riveting

See it if For the majestic John Douglas Thompson, coming apart at the seams at the hands of his tactically superior wife. The dark humor is a joy.

Don't see it if You don't care for an epic battle of the sexes circa 1887. It seems like yesterday. It feigns a sexism we see today, though we hide it now.

414 Reviews | 70 Followers
91
Absorbing, Great acting, Intense, Riveting, Masterful

See it if you love great drama, wonderful acting and Strindberg

Don't see it if you want something uplifting and not an intense psychological drama

224 Reviews | 45 Followers
91
Great acting, Great writing, Thought-provoking

See it if love great acting and Strindberg. Excellent new translation. Tight, taught and fast moving production.

Don't see it if Don't like Nordic School of drama

57 Reviews | 19 Followers
90
Great acting, Great acting, wonderful battle of the sexes

See it if You have never seen John Douglas Thompson. you will find him to be one of the true treasures of contempary theatre.

Don't see it if You can't give a 100 year old play a little leeway.

89 Reviews | 34 Followers
89
Riveting, Shattering performances, Great writing

See it if to witness a devastating drama by Strindberg performed with immediacy and great intensity​. A must-see for true theater lovers.

Don't see it if you prefer a Hollywood ending and the war of the sexes and dysfunctional family life are not for you.

77 Reviews | 36 Followers
87
Absorbing, Great acting, Thought-provoking, Relevant, Riveting

See it if You want to see Strindberg's modern take on the battle of the sexes, with an amazing performance by John Douglas Thompson.

Don't see it if You can't stand that the whole mishegoss could have been avoided with one DNA test. Where is Dr. Phil when we need him?

Critic Reviews (18)

The New York Times
May 25th, 2016

"What really awakens the senses here is the feeling of suffocation that pervades the domestic battlefield…Ms. Arbus’s interpretation and Ms. Lacey’s performance help insure that the argument here is by no means one-sided. If Laura is compelled to destroy her husband, it’s because she has effectively been his prisoner for so long…Mr. Thompson’s Captain is, in a word, brilliant, an exact and devastating portrait of one man’s inevitable collapse."
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Time Out New York
May 25th, 2016

“Turgid doesn’t begin to describe the dialectic embedded in August Strindberg’s melodramatic battle of wills, and yet adapter David Greig manages to winkle out humor and insight...Though Strindberg was clearly on the side of his hog-tied title character, a grudging respect is surely due such a resourceful virago.”
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New York Daily News
June 9th, 2016

"The battle of the sexes comes served two ways in Theatre for a New Audience’s sturdy and ever-accessible double bill of classics...Maggie Lacey plays against her girl-next-door looks. In 'The Father,' she’s a wife who drives her husband crazy by undermining his trust...John Douglas Thompson brings depth as her spouse in each show."
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Theatermania
May 25th, 2016

“As played by Thompson, the Captain comes across like an innocuous nut job...By contrast, Lacey's Laura is calculating in her malice, ‘I've yet to meet the man I can't defeat,’ she tells her husband, her icy gaze freezing him in his tracks. Such melodramatic lines pervade the text, and this fabulous cast knocks them all out of the park. Strindberg's darkness, his pseudo-adolescent gloom, registers here as high camp and we love every second of it.”
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Lighting & Sound America
June 1st, 2016

"A taut, tension-filled psychological battle…Thompson charts the Captain's breakdown, step by harrowing step...His total surrender is both disturbing and impossible to turn away from, climaxing in a kind of fit that also works as a physical expression of total despair. Next to his tour de force, Lacey, as Laura, plays a kind of dramatic rope-a-dope, cannily circling her prey and inserting new stabs of doubt and fear into his head...Arbus gets exceptional work from her cast."
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TheaterScene.net
June 7th, 2016

"These inspired revivals using the Thornton Wilder adaptation of 'A Doll’s House' and Scottish playwright David Greig’s new English language version of 'The Father' feature a company of actors led by the magnificent John Douglas Thompson and Maggie Lacey, all of whom appear in both plays. With the audience sitting on opposite sides of a narrow playing area with two walls removed that puts the viewers ring side, these productions are dazzling theater whether seen in tandem or seen separately."
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CurtainUp
May 25th, 2016

"Insightfully directed…A terrific repertory ensemble...Thompson gives full reign to the high-octane dramatic chops that have earned him a reputation as one of the contemporary theater's best and most vivid Shakespearean actors…I've always found 'The Father' something of a yawn, hopelessly dated and excessively melodramatic. But seeing it in this context didn't have a boring moment, it's full of unforgettable moments."
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Theater Pizzazz
May 30th, 2016

"The plays feel more accessible and tailored to a wider audience than ever, thanks to dual outstanding lead performances in both pieces by John Douglas Thompson and Maggie Lacey. Under the capable direction of Arin Arbus, Thompson and Lacey storm through both masterworks with an intensity and passion that elevate them far above all other elements of the productions."
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