"A thought-provoking, gripping play about physical vs. spiritual survival…Directed with style by Rachael Boulton, the show makes for a compelling experience…The show presents us with endless opportunities for empathy, both in the intimate scale, but also on a collective one...We can’t help but feel a moral obligation to leave the theater and demand that governmental institutions help fulfill our needs, which makes 'The Good Earth,' rousing political theatre of the best kind." Full Review
"A brilliant endeavor...For Boulton, contributing as actor and director can be an enormous challenge, but she excels in both roles…The cast of five actors give strong performances which highlight their mastery of comic physical storytelling and robust vocal abilities...Overall, 'The Good Earth' is an expertly devised physical theater piece that is as humorous as it is heartbreaking; and a confirmation that inspired storytelling can activate and move its listeners." Full Review
"This cast is extraordinary. The ensemble work is stunning and the ownership of every moment of the script is absolutely gripping...All breathe incredible passion and specificity into their roles...Under Boulton’s guidance, the small-town culture and the ire at displacement by a faceless entity is palpable...This production is simple and direct, joyous and heartbreaking...'The Good Earth' transports the audience to Wales and makes the experience of one small village resonate around the globe." Full Review
"A wonderfully acted new play by the Welsh company Motherlode, whose gorgeous, often solemn a cappella soundscape breathes the villagers’ very heritage into the air…The precise nature of the conflict in the play is not as clear as it could be…Without that clarity, the ending lacks the power it needs. Even so, this 80-minute play flies by. Comic and celebratory, melodic and mournful, it’s an elegy for a place that’s not dead yet." Full Review
"Boulton directed the production and her work in that regard is perfection. Visually it’s a small-scale spectacle and a great display of physical theater yielding precise and vivid imagery. The actors forcefully conjure up so much with only their voices and bodies. Their characterizations are all uniformly vibrant, bold and emotional. Narrative momentum slows in the second half, but 'The Good Earth's' superior stagecraft carries it through to its moving conclusion." Full Review
"This production balletically utilizes the furniture to raise tension (it does) and embody upheaval…Sound is clear, crisp and hauntingly arranged. Musical direction by Max Mackintosh is splendid...Stylization works for the piece, except perhaps in the portrayal of Jackie, who appears a spastic caricature...The company all have fine voices and move with precision and energy. Facial expressions are priceless…Mike Humphreys is a wonderful James: proud, tender, imaginative, and manly." Full Review
"The play doesn’t infuse the drama with stakes that seem high enough to account for those extremes of feeling which culminate in James’s defiant, climactic speech to the Council...But despite its flaws, this collaboratively written play is very well worth seeing for the marvelous performances; for the sheer, stripped grandeur of the clever minimalist staging; for the troupe’s mastery of meta-theatricality to create a livid, vivid world; and for its overall emotional punch." Full Review
"An energetic but rocky play…Of complexity, there isn't much…And although there doesn't necessarily need to be, a little might temper what is otherwise an overly brash and bombastic evening…The roundly broad and often shouty performances do not match the specifically inward-looking nature of the writing…Worse, certain key concepts that might better support this are not developed as fully as they could be." Full Review
"It's a rich situation, but it suffers in the presentation…The company's acting style is broadly stylized…Clearly, Motherlode is a collective of enterprising artists, and there is real vigor and more than a little talent onstage. There is, however, a fundamental disconnect between story and storytelling here…A fascinating situation is flattened out, purposely rendered in two-dimensional terms. Time and again, we get glimpses of intriguing details that nobody seems interested in illuminating." Full Review
for a previous production "An exquisitely constructed piece of theatre that explores the meaning and value of community...The physical relationship of the actors to the simple yet highly evocative setting is a thing of beauty to watch, their movement across the space striking in its detail and precision...Finally, though, what holds this production in the memory is the use of sound and song...The music carries within it the cultural memory of a nation." Full Review
for a previous production "Through the use of Welsh folk song and the physical theatre sequences throughout, the piece exudes an energy that holds the audience attention to its close. Director Rachael Boulton’s staging and keen eye for composition gives the piece the clarity it needs to serve an individual story to represent universal themes...It was all simply stunning...A hilarious and thought-provoking piece that is not to be missed." Full Review
for a previous production "Loyalties seem to become loaded with a fatal sense of over-sentimentality as the play progresses, and I was left confused by the message...For me, the play’s essence was its intense, no-holds-barred portrayal of the fictional family’s dynamics...'The Good Earth' may refer back to the 1970s, but this drama is far from retrograde in every other dimension...A gripping script is executed impeccably in this launch project. For this tight team, I’d guess that no mountain is too high." Full Review
for a previous production "A strong, polished script that is gripping and moving...The commitment of the cast and their complete belief in the surroundings that they are creating transports the audience through street, mountain and river, council offices to the comfort of home...Although the comedy caricature element of each of their characters is a little overdone, they all bring a depth of emotion and poignancy to their roles...May not be quite perfect yet but has the promise to be a truly great piece of theatre." Full Review
for a previous production "The performances cannot be faulted…Director Rachael Boulton is instantly relatable as Dina…The dialogue is sharper and funnier than one might have expected from a devised production…Motherlode has created a piece which, for all its emotional manipulativeness, is visually arresting and very well acted. Whether it is a subversively complex take on the eternal struggle between town and country, however, or simply a muddled one will be for the viewer to judge." Full Review
See it if You want to be invested in a small town issue that has global implications. You will live with these people and care what happens to them.
Don't see it if You need to have things spelled out for you and fully explained. Authentic Welsh is spoken and sung at times with no translation.
See it if You love accents, using your imagination, imagery, historical and cultural depth and diversity, singing, and multi-characterroles
Don't see it if You require a simplistic story with a linear, stereotypiç plot or a fairytale. Wonderful wonsrfuk acting).
See it if you like a deep story, great acting and singing. A play that grasps your attention and grips at your heart strings..
Don't see it if you do not like true stories of hard luck and don't like drama and song.
See it if Actors on a basically bare stage, multiple roles w/o costume change. Talented cast, small town, harsh measures, how to fight the system.
Don't see it if You like bright, big production shows. This is all about performance and story.
See it if you're interested in Welsh culture, small town politics, family dramas, enjoy abstract movement and song, and seeing actors play many parts.
Don't see it if you like everything to be quick and clear. It's beautiful, but you have to use your imagination and some of the transitions drag.
See it if You like to learn about history thru storytelling with a tight ensemble with strong voices and points of view. With lovely welsh melodies.
Don't see it if You don't want to learn how strong community is. Or have trouble hearing welsh accents.
See it if You like complicated stories about communities and the lives of the participants.
Don't see it if You prefer your musicals fully staged, casts with minimal accents, and fully explained plot points.
See it if You're interested in beautiful vocal music, gorgeous ensemble-driven work, and a unique theater experience for New York audiences.
Don't see it if You're looking for something with a more traditional linear plot, or have a tough time with dialects.
See it if you would enjoy a great ensemble cast with gorgeous Welsh voices, "working class" plays, & a brilliant performance by Gwenllian Higginson.
Don't see it if you have trouble with accents, do not like to use your imagination to help create the scenes, and prefer straightforward plays.
See it if Great acting/writing. Creative albeit deja vu staging. Grabbing stories but not sure who author wanted me to root for. Very enjoyable.
Don't see it if Threads left unresolved are not your thing. So many Welsh (?) sung songs left me uncertain if there was something I was missing.
See it if you're interested in historically-based shows -- this definitely inspired me to learn more about the actual underlying events
Don't see it if you're looking for something showy, fluffy, or light hearted. This was pretty intense.
See it if you enjoy straightforward stories about how families and communities can react to outside pressures. A talented company of actors. Good book
Don't see it if Low budget staging with tables and chairs. Interstitial staging between scenes weak. You don't like mood singing during plays.
See it if you're interested in Wales, Welsh songs, family dramas, & more abstract staging
Don't see it if you have difficulty understanding strong Welsh accents. There's a fair amount of UK slang that might be confusing for US audiences too
See it if you enjoy listening to lilting Welsh accents and beautiful acapella singing; you have a good imagination and enjoy avant garde plays.
Don't see it if you love Broadway musicals; you don't like to listen carefully to get the lines; you dislike anything not "real" that requires imagination
See it if you don't mind a bare-bones set with just chairs that they move around. You can understand Welsh accents & slang.
Don't see it if you aren't into a cappella singing in Welsh. You aren't into family dramas or how people overcome adversity.
See it if you enjoy a cappella Welsh singing. The singing was the best part of the show for me, I would have liked more of it.
Don't see it if you don't enjoy highly stylized physical theater movements, no matter how well performed. The best scenes were the small, intimate ones.
See it if you like a small-town story set in a foreign country; if you like beautiful acapella singing; if you enjoy nonlinear storytelling
Don't see it if you're bothered by episodic storytelling; if you're looking for deep characterization; if you have trouble understanding non-US accents
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