Closed 1h 20m
The Good Earth
Soho/Tribeca
75

The Good Earth NYC Reviews and Tickets

75%
(82 Reviews)
Positive
73%
Mixed
22%
Negative
5%
Members say
Great acting, Great singing, Ambitious, Absorbing, Thought-provoking

About the Show

Direct from its hit run in the U.K. comes Motherlode Theatre's drama about a Welsh community torn apart by its council, big business, and, eventually, its people.

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Member Reviews (82)

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75
Thought-provoking, Great writing, Great acting, Confusing

See it if Great acting/writing. Creative albeit deja vu staging. Grabbing stories but not sure who author wanted me to root for. Very enjoyable.

Don't see it if Threads left unresolved are not your thing. So many Welsh (?) sung songs left me uncertain if there was something I was missing.

68
Disappointing, Slow, Well acted

See it if You're interested in stories of struggling families and how they try to overcome hardships in their community.

Don't see it if You don't like slower paced small intimate shows or are looking for something cheerful or energetic.

Critic Reviews (14)

August 24th, 2016

"A wonderfully acted new play by the Welsh company Motherlode, whose gorgeous, often solemn a cappella soundscape breathes the villagers’ very heritage into the air…The precise nature of the conflict in the play is not as clear as it could be…Without that clarity, the ending lacks the power it needs. Even so, this 80-minute play flies by. Comic and celebratory, melodic and mournful, it’s an elegy for a place that’s not dead yet."
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August 29th, 2016

"It's a rich situation, but it suffers in the presentation…The company's acting style is broadly stylized…Clearly, Motherlode is a collective of enterprising artists, and there is real vigor and more than a little talent onstage. There is, however, a fundamental disconnect between story and storytelling here…A fascinating situation is flattened out, purposely rendered in two-dimensional terms. Time and again, we get glimpses of intriguing details that nobody seems interested in illuminating."
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August 24th, 2016

"An energetic but rocky play…Of complexity, there isn't much…And although there doesn't necessarily need to be, a little might temper what is otherwise an overly brash and bombastic evening…The roundly broad and often shouty performances do not match the specifically inward-looking nature of the writing…Worse, certain key concepts that might better support this are not developed as fully as they could be."
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August 30th, 2016

"Boulton directed the production and her work in that regard is perfection. Visually it’s a small-scale spectacle and a great display of physical theater yielding precise and vivid imagery. The actors forcefully conjure up so much with only their voices and bodies. Their characterizations are all uniformly vibrant, bold and emotional. Narrative momentum slows in the second half, but 'The Good Earth's' superior stagecraft carries it through to its moving conclusion."
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August 25th, 2016

"A brilliant endeavor...For Boulton, contributing as actor and director can be an enormous challenge, but she excels in both roles…The cast of five actors give strong performances which highlight their mastery of comic physical storytelling and robust vocal abilities...Overall, 'The Good Earth' is an expertly devised physical theater piece that is as humorous as it is heartbreaking; and a confirmation that inspired storytelling can activate and move its listeners."
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August 25th, 2016

"This production balletically utilizes the furniture to raise tension (it does) and embody upheaval…Sound is clear, crisp and hauntingly arranged. Musical direction by Max Mackintosh is splendid...Stylization works for the piece, except perhaps in the portrayal of Jackie, who appears a spastic caricature...The company all have fine voices and move with precision and energy. Facial expressions are priceless…Mike Humphreys is a wonderful James: proud, tender, imaginative, and manly."
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August 30th, 2016

"A thought-provoking, gripping play about physical vs. spiritual survival…Directed with style by Rachael Boulton, the show makes for a compelling experience…The show presents us with endless opportunities for empathy, both in the intimate scale, but also on a collective one...We can’t help but feel a moral obligation to leave the theater and demand that governmental institutions help fulfill our needs, which makes 'The Good Earth,' rousing political theatre of the best kind."
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August 24th, 2016

"The play doesn’t infuse the drama with stakes that seem high enough to account for those extremes of feeling which culminate in James’s defiant, climactic speech to the Council...But despite its flaws, this collaboratively written play is very well worth seeing for the marvelous performances; for the sheer, stripped grandeur of the clever minimalist staging; for the troupe’s mastery of meta-theatricality to create a livid, vivid world; and for its overall emotional punch."
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T
August 25th, 2016

"This cast is extraordinary. The ensemble work is stunning and the ownership of every moment of the script is absolutely gripping...All breathe incredible passion and specificity into their roles...Under Boulton’s guidance, the small-town culture and the ire at displacement by a faceless entity is palpable...This production is simple and direct, joyous and heartbreaking...'The Good Earth' transports the audience to Wales and makes the experience of one small village resonate around the globe."
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September 9th, 2015
For a previous production

"The performances cannot be faulted…Director Rachael Boulton is instantly relatable as Dina…The dialogue is sharper and funnier than one might have expected from a devised production…Motherlode has created a piece which, for all its emotional manipulativeness, is visually arresting and very well acted. Whether it is a subversively complex take on the eternal struggle between town and country, however, or simply a muddled one will be for the viewer to judge."
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T
April 17th, 2014
For a previous production

"A strong, polished script that is gripping and moving...The commitment of the cast and their complete belief in the surroundings that they are creating transports the audience through street, mountain and river, council offices to the comfort of home...Although the comedy caricature element of each of their characters is a little overdone, they all bring a depth of emotion and poignancy to their roles...May not be quite perfect yet but has the promise to be a truly great piece of theatre."
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September 10th, 2015
For a previous production

"Through the use of Welsh folk song and the physical theatre sequences throughout, the piece exudes an energy that holds the audience attention to its close. Director Rachael Boulton’s staging and keen eye for composition gives the piece the clarity it needs to serve an individual story to represent universal themes...It was all simply stunning...A hilarious and thought-provoking piece that is not to be missed."
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September 11th, 2015
For a previous production

"An exquisitely constructed piece of theatre that explores the meaning and value of community...The physical relationship of the actors to the simple yet highly evocative setting is a thing of beauty to watch, their movement across the space striking in its detail and precision...Finally, though, what holds this production in the memory is the use of sound and song...The music carries within it the cultural memory of a nation."
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September 9th, 2015
For a previous production

"Loyalties seem to become loaded with a fatal sense of over-sentimentality as the play progresses, and I was left confused by the message...For me, the play’s essence was its intense, no-holds-barred portrayal of the fictional family’s dynamics...'The Good Earth' may refer back to the 1970s, but this drama is far from retrograde in every other dimension...A gripping script is executed impeccably in this launch project. For this tight team, I’d guess that no mountain is too high."
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