"There is something absolutely captivating about 'the hollower'...I was also enthralled by Kristy Dodson’s directorial choices. Her ambition is boundless and she pulls off some magical moments of stagecraft, rarely seen in Off Off Broadway. She resists pushing the absurdism of the piece too far...The characters and their performances make 'the hollower' something special. Though it does suffer from a few too many ideas and unresolved questions, it is innovative and touching." Full Review
"I know that the cast is excellent. And, yes, I know that the writing is often wonderful. But I can't figure out what the damn thing is about, and that's even after reading the script...'the hollower' is odd and fascinating and I'm glad I saw it. But I also ended up dissatisfied. I needed one little tiny hint as to what I was watching...I do recommend 'the hollower.' If nothing else, I can assure you it is unique. Oh, and thought-provoking. And maybe even funny." Full Review
"A curious combination of gritty character study and fantasy-absurdism, Liza Birkenmeier‘s 'the hollower' presents troubled characters who feel painfully real. Grippingly acted under Kristy Dodson’s agile direction, it has two parallel narratives...Stinnett’s Pigman is entertaining in a vacuum, but the podcast storyline lacks the punch of the main Bit narrative...Perceptively imagined, lovingly staged, beautifully acted, and definitely different." Full Review
“Aggressively quirky...A hermetically sealed experiment in extreme absurdism. It’s as if Wilkin was expressing the anticipated objections of critics wedded to oppressive Cartesian reason, and Birkenmeier chose to defy her own character and double down...What’s most frustrating is that this young playwright can write strangely appealing segments ― not quite long enough to qualify as scenes, but fuller than mere exchanges. Some of her dialogue often pings with a darkly surreal humor." Full Review
"Birkenmeier exploits Bit's eccentricity for all it's worth…The scenes dealing with Bit and Otto are relatively straightforward…Where the play…goes really off the rails is in depicting Otto's inner world...'The Hollower' is reminiscent in its exaggerated mix of the comically real and unreal of Charles Ludlam's Ridiculous Theatrical Company. It has a few good moments but is never funny enough, clever enough, or even touching enough to make us laugh…or care." Full Review
“The dialogue contains a lot of contemporary academic jargon and it all could be interpreted as some sort of Millennial exploration...Birkenmeier offers a tedious, vague and pointless surrealistic escapade...Strains to be funny and significant and tiresomely fails at both...Besides the fine performances, Dodson achieves momentum and visual interest with her proficient staging...Apart from burnishing Birkenmeier’s resumé, ‘the hollower’ doesn’t really accomplish much else.” Full Review
"Liza Birkenmeier’s 'The Hollower' is the kind of play that tries to push the envelope in a variety of ways but ends up as effective as a pile of shredded paper...In the absence of coherent plot, the designers do some heavy lifting...One can’t really judge performances in such a goulash, and director Kristy Dodson hasn’t given it coherent shape, but Im benefits from his character’s semblance of normalcy and a dry delivery." Full Review
See it if You like zany comedies & "downtown" theater (man who squeals like a pig, young girl in funky pink hot heels, fun group song from 1950s).
Don't see it if You prefer classical theater instead like Shakespeare
See it if you like adventurous, dizzying, difficult theatre, love seeing great actors challenged, have a mind that enjoys puzzles.
Don't see it if you need a tidy and clear plot that doesn't require leaps of logic and/or imagination from its audience, want a clear resolution.
See it if Birkenmeier's feminist/anarchist dramedy is more confusing than coherent despite being well staged by Dodson & excellent lead de Courcy
Don't see it if It's rough going....brief staccato scene fragments coalesce around the bonding of a depressed love-sick lesbian & neurotic high school girl
See it if you like experimental theater. There is a lot to think and talk about when leaving this production. Super refreshing!
Don't see it if you don't like experimental theater. It is confusing. It is weird. The production pushes you to think.
See it if Per reviews-youll either love or hate. Weird & absorbing narrative taking place on another level! Terrifically written/acted/executed...
Don't see it if You're looking for standard fare/something easily absorbed/clear linear narrative/can't give in to the world they're offering. Excellent.
See it if you enjoy intellectually and emotionally challenging plays with comedy and even delightful moments; Reyna de Courcy’s Bit is spot on.
Don't see it if you prefer less linear, uncomplicated plots, characters, and themes, prefer musicals and large sets/casts, can’t sit 90 min./climb 3 flights
See it if you need some relief from all the run-of-the-mill slice-of-life clogging NY stages lately.
Don't see it if experiment in the theater gives you hives, or you do not respond to creative messes.
See it if have friends in cast, want 2 experience what Fellowship writers write, want to experiment with your tolerance, want 2 rate experimental work
Don't see it if cannot tolerate "experimental" theatre, need 2 see relationships and causation on stage, consider "absurdism" without intent as absurd
See it if You like thought-provoking theater, expertly staged and performed. It's haunting and beautiful and has stayed with me since I saw it.
Don't see it if You need to have shows explained to you, you're not comfortable with something different
See it if You are a fan of experimental theater that needs to be digested over multiple viewings
Don't see it if You are unwilling to take the time to reflect and think deeply about the words said during the show.
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