Target Margin Theater presents a radical approach to Eugene O'Neill's 'The Iceman Cometh,' with a quartet of artists each tackling a separate act of the play. More…
Audiences can see each act separately, or all four together as a unified whole.
Iceman Act I by Julia Sirna-Frest: Harry Hope’s saloon is turned upside-down as an all-out O’Neill sing-along song cycle. All 17 characters get chances to shine on stage.
Iceman Act II by Yuris Skujins: Act II turns the stage into a birthday celebration for Harry Hope and the delirious booze-soaked souls that fill his bar.
Iceman Act III by Katie Rose McLaughlin: Six female dancers play O’Neill’s 14 barflies in a highly choreographed study of existential dread, rising to the occasion and falling back down again.
Iceman Act IV by Jeanette Oi-Suk Yew: An audio and live-action puppetry animation journey into the sobering minds of the wax figures who were once proud and ambivalent drunks at Harry Hope’s bar.
See it if oops mistake!! I thought I was scoring Iceman Cometh. Please disregard!
Don't see it if oops mistake!! I thought I was scoring Iceman Cometh. Please disregard!
See it if You love O'Neill, intense ensemble drama, and experimental renderings to f classics.
Don't see it if You are a purist and want your classics done classically.
See it if You have an open mind for big, ambitious, experimental theatre.
Don't see it if You seek something more conventional.