The Rape of Lucrece
Closed 2h 10m
The Rape of Lucrece
84%
84%
(6 Ratings)
Positive
100%
Mixed
0%
Negative
0%
Members say
Intelligent, Absorbing, Resonant, Relevant, Long

About the Show

New York Shakespeare Exchange presents the world premiere of this stage adaptation of the Bard's famous narrative poem.

Read more Show less

Critic Reviews (4)

Theatre is Easy
October 16th, 2016

"The cast of 'The Rape of Lucrece' is uniformly talented, featuring a number of young actors who grapple with the emotional complexity of the show with exceptional maturity...Director Cristina Lundy has supported the actors to make the most of the play’s uneven lines, smartly adapted by Kevin Brewer with admirable skill. Unfortunately, it is very apparent upon hearing certain tinny slant rhymes why 'The Rape of Lucrece' is not one of Shakespeare’s better-known works."
Read more

Theater Pizzazz
October 29th, 2016

"Brewer does a noble job of adapting the material into a solid Shakespearean structure without making the mistake of trying to mimic the style, which never works...To add dimension, Brewer, with the assist from Cristina Lundy’s fine direction, fleshes out secondary characters despite there being very little source material to work with (or none, as some figures never existed at all in the original)...The cast delivers the difficult material remarkably well."
Read more

Blog Critics
October 19th, 2016

"The conclusion involves some questionable choices: a climactic scene of revenge that doesn’t reflect history; a sudden, unexpected betrayal by a hitherto loyal servant without an apparent grudge; and a new character whose identity is unclear...Though flawed and with a too-long first act, this workshop production by New York Shakespeare Exchange offers extremely impressive writing, skillful direction by Cristina Lundy, and some superb performances."
Read more

Plays to See
October 17th, 2016

"Much of this contemporary urgency is the credit of Kevin Brewer, who adapted the original Shakespearean poem. The ancient Roman world is fleshed out on the stage by characters with dead-language names speaking in Elizabethan verse. Yet nothing about it feels stuffy...From its most tragic verses to a rather silly chamber pot gag, the scenes are unfailingly well-acted...With a stellar cast and an ancient, captivating story that begs to be retold, the only pity is that it has such a short run."
Read more