The Woman Who Was Me
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The Woman Who Was Me

The Woman Who Was Me NYC Reviews and Tickets

(15 Reviews)
Members say
Great acting, Confusing, Resonant, Thought-provoking, Great staging

About the Show

Theaterlab and Convergences Theatre Collective present this solo piece in which the kiss of a stranger awakens the desire and creativity of a middle-aged woman, launching her on a journey of self-discovery.

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Member Reviews (15)

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Thought-provoking, Chick show, Intense, Great staging, Great acting

See it if you enjoy shows about women, in particular older women.This deals with various aspects of her life, from family and creativity to sexuality.

Don't see it if You're done with shows about the female experience and all that angst.

Confusing, Thought-provoking, Resonant, Great writing, Great acting

See it if You relish intellectual challenge, consider evolving roles and self-images of women and appreciate craftsmanship by solo actor/minimal set

Don't see it if you cannot tolerate sexual references, non-stereotypical conduct and words by mid-aged characters or need sets, casts, music and 75 min

Critic Reviews (5)
May 29th, 2017

“The unison of Liz Stanton’s riveting performance, Grandbois’ poetic writing and a superior presentation, all make the solo play a dreamy and haunting spectacle…Ms. Stanton commands the stage…Director Williams’ staging is a gorgeous blend of stark emotionalism, dynamically choreographed movement and visual magnificence…Filled with psychological insights, arresting imagery and fierce acting, ‘The Woman Who Was Me’ is a compelling and highly theatrical confessional.”
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Theatre is Easy
May 31st, 2017

"Topical and richly expressive, 'The Woman Who Was Me' explores gender, choice, and identity through one woman’s tale of self-actualization...Poignant in their simplicity, the show’s design elements underscore Lanie’s hazy search for self and highlight the dreamlike mental and physical realms she traverses...By highlighting individual stories, 'The Woman Who Was Me' invites us to explore the nuances of what it means to be a woman—or a human—in the world."
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The Huffington Post
May 29th, 2017

"Liz Stanton is perfectly cast. She wears the well-earned physical and emotional 'war scars' of a middle-aged woman, but she can also expertly express moments of girlish joy in an instant...Her performance, combined with Grandbois’ poetic dialogue, reminds us that youthful passion and ambition can lie dormant, but never really go away...It’s an inspiring lesson, for both 'women of a certain age' and everyone else."
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Theater In The Now
June 13th, 2017

“The audience must decide if this is a story of fulfillment or unfulfilled longing or some mixture of the two. Kate Jaworski’s lighting helps show the dance between complete empowerment and loneliness which Elizabeth Stanton bravely undertakes…The play motivated a lot of people to speak up about empowering themselves... Many of the creative people behind this production were in the same graduate program...The results are fascinating.”
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May 31st, 2017

"Stanton’s energy and focus carry the action well, though there are occasional moments when the performance pushes the language a bit too hard, causing both to feel overwrought...Amid the lovely language and rather complex metaphors, there is a tangible disconnect between the play’s intent and the experiential understanding of the writer...In the post-show discussion billed as Act II...the energy with which that feedback was received was incredibly negative."
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