The Flea presents a pair of world-premiere one-acts by celebrated playwright A.R. Gurney. The two run separately but simultaneously in the upstairs and downstairs theaters. More…
In 'Squash,' Gurney explores the fluidity of sexuality on a college campus in the '70s before gender was upended. In 'Ajax,' an actress-turned-teacher allows a rousing performance of an ancient text to reveal her true self. Audiences are strongly encouraged to see both shows on the same evening. To make this possible, 'Squash' plays once each night, and 'Ajax' runs twice to allow patrons to attend both.
“Whether you see one or both of ‘Two Class Acts’, these are provocative plays of ideas on topics of the day. The playwright continues to demonstrate that he has a wise and discerning view of the human condition. Director Stafford Arima has done a beautiful job of obtaining all of the nuances and humor out of the two sharp and intelligent situations. The casting for both plays could not be improved as the actors make their roles their own. The Flea leaves White Street on a high note.” Full Review
"Sometimes, all the right elements come together to make a production that’s just delightful...The artistic elements that come together here: visceral acting, transporting, detail-oriented design, Stafford Arima’s masterful staging, and A.R. Gurney’s buoyant yet dynamic new plays...Aside from a few telegraphic moments in the dialogue to keep the plot going in these two micro-plays, Gurney’s writing is delightful." Full Review
"Imbued with a giddy openness to change that seems to be as much a part of Mr. Gurney’s DNA as his anthropological dedication to a vanishing class of patricians...'Ajax' is best perceived as a happy fantasy, one that bubbles with the belief that borders of all sorts were meant to be leapt over. 'Squash,' also directed by Mr. Arima (and warmly designed by Jason Sherwood), emanates a similarly optimistic glow, but it is a more fully integrated play." Full Review
"'Ajax:' While the boy-meets-girl conceit is hardly original, Gurney's treatment of it is, though it does require you to suspend your disbelief about the typical professor-student relationship...As directed by Arima, 'Ajax' nicely straddles the ancient Greek and modern American world....'Squash:' Gurney really scores by investigating human sexuality through the dual lens of hetero and homosexual relationships...The play can certainly expand your consciousness on sexuality, love, and sports." Full Review
"Both plays are about the tensions between teachers and students, and the sexual currents that can sometimes overshadow the academic work in a classroom...'Squash' is the longer and more substantial of the two plays. Director Stafford Arima gives it an expansive, environmental staging...Gurney brings a lot of humor to the serious issues he raises in both plays and he gives the actors many juicy and surprising scenes to play." Full Review
"Both plays starts promisingly, but end disappointingly. The acting runs from fair to good, with Amboyer standing out. The immersive sets by Jason Sherwood are excellent...Stafford Arrima’s fluid direction is admirable...Neither play is top-drawer Gurney, but, for me at least, even second-drawer Gurney is enjoyable." Full Review
"Directed by Stafford Arima, 'Ajax' and 'Squash' explore the Greeks through the collegiate lens...'Ajax:' Gurney has crafted an intense relationship play. These two individuals are driven to success yet get blinded from within the whirlwind...'Squash' is short and sweet with a lot of bite...Gurney’s 'Two Class Acts' had some issues but as a pair, they complemented one another well. 'Ajax' and 'Squash' provide a great night at the theater." Full Review
"Perhaps because of their brief running times, they are less substantial than usual; for once, this most inventive of playwrights touches on his favorite themes without having much new to say about them...'Ajax': His editorializing doesn't always mesh well with the Meg-Adam romance, which has a breezy, screwball quality. Still, under Stafford Arima's direction, it all goes down easy...'Squash': Arima directed again, and he keeps the tone light and bright, eliciting totally solid performances." Full Review
“I recommend these plays more because they’re your last chance to see a Flea offering at this 20-year-old venue (in a 99-year-old building) than for either's intrinsic quality...While each is entertaining, neither is up to the standards of Gurney’s best work...All the creative contributions help bolster the plays, but Gurney's’ characters and situations, for all their potential, are too artificial to generate belief.” Full Review
"'Squash:' The cast are all seasoned actors who do well, the problem is the material comes off saying everybody is a repressed homosexual and I don’t think that’s the case...'Ajax:' Here the acting was done by the Bats, but it came off as amateurish. Again, the piece is offensive and not well written with holes in it wider than the rift between the Palestinians and the Israelis...Stafford Arima's direction was interesting and moved these plays in unique ways." Full Review
"I found Gurney’s 'Ajax' offensive, not because it spread the same old lies about Jews but because it was artificial and jerky. I think it needs to be rethought and turned into a longer play with more depth and less superficial characters. I presume it’s a comedy, but the humor didn’t come through to me...'Squash:' I found very little feeling in this play as well. It was a clever idea but not quite clever enough. Laughter was sparse. The characters were too superficial to be funny." Full Review
"'Ajax' and 'Squash' are a one-two punch of bigotry and disappointment. Each play is an hour long, and both hours dragged on as I sat cringing in my seat...'Ajax:' It’s trite, it’s predictable, it’s full of cliché. This is a terrible show, and it’s difficult to say if the hackneyed script or the anti-Semitism was more offensive...Though the staging and costumes for 'Squash' were fabulously 1970s fleek, the script was again fraught with stereotypes, misguided ideas, and stale dialogue." Full Review
See it if you love Gurney & intimate, clever staging (esp. Squash) for few, gung ho actors & are intrigued by edgy, unexpected interpersonal dynamics.
Don't see it if looking for elaborate staging, larger cast & middle-of-the-road, traditional two-part play & are queasy about risque dynamics in raw spaces.
See it if Squash only (didn't see Ajax) - excellent light-hearted, well acted and energetic (somewhat) comedy that keeps you glued to your seat
Don't see it if you're looking for something deep in a very heavy-handed way - there aren't many negatives; I guess if the mere mention of gays scares you.
See it if you enjoy the actors and/or this playwright. The performances range from capable to quite good, working with flawed but enjoyable plays.
Don't see it if you want something irreverent or tremendously original. The staging is unique, but the works themselves don't break new ground.
See it if You are a Gurney fan and like one act plays. Ajax is the weaker of the two, but Squash holds your attention as a relevant story.
Don't see it if Brief nudity and sexuality in both plays would disturb you.
See it if Very original one acts acted well and written by one of the most prolific American playwrights alive today.
Don't see it if you don't want to move from one theater to another to watch the two shows on the same night.
See it if have liked Gurney's work in the past, if you like one-act plays and enjoy innovative staging.
Don't see it if you don't care for Gurney, don't like short plays or are offended by male nudity.
Also Even though it's not Gurney at his best, it's still worth seeing.
See it if You like college settings, related one acts, classical references, contrast of 70's ¤t classroom with inappropriate student : teacher
Don't see it if you don't like one sided pro Palestinian character unchallenged in Ajax, contrasted with characters with fluid points of view in squash
See it if You enjoy modern day comedies that have influences of Greek mythology to them. Intimate theater, great acting, absorbing, fast-paced.
Don't see it if You're offended by male nudity which occurs in Squash.
See it if you'd like the premiere of two 1 act plays by AR Gurnie--one very well acted and the other adequately acted, with some youthful impropriety.
Don't see it if you'll be upset by male nudity; object to a pro-Palestinian Jewish character , are homophobic, think a bisexual can't choose monogamy.
See it if you enjoy a well acted play about relationships and sexuality; another about the power of a play gone wrong. Both have interesting staging.
Don't see it if You prefer musicals to drama; you are not a fan of either A.R.Gurney or the Flea theater productions in general.
See it if You want to catch 2 different plays by A R Gurney. Both, in their way, deal with teaching & the Greeks. Socratic love, & student/teacher.
Don't see it if U disliked school.Squash is much more successful & enjoyable. Premise w/in Ajax is flawed from start, tho it's so good hearted, you forgive.
See it if You enjoy intelligent shows with talented up-and-coming actors, or if you enjoy intimate off-off Broadway productions.
Don't see it if You are uncomfortable with same-sex relationships (in Squash), or PTSD and Israeli-Palestinian relations (mentioned in Ajax).
See it if this is review for Squash. If you like light humor about literature, sports and sexual orientation. I really like the twist in the end
Don't see it if you are easily offended by full frontal male nudity, or you think barely an hour of show time is not worth your trip.
See it if You want to see 2 interconnected plays by a major playwright. You enjoy small, character sketches. You're familiar w/Greek drama.
Don't see it if You don't like character studies. You want more fully realized plays & characters. You prefer more traditional staging.
See it if you enjoy plays about Greek literature, college themes, sexuality
Don't see it if you are offended by brief male nudity, themes of bisexuality, the Palestinian/Israeli conflict
See it if You enjoy smart plays in an intimate setting with lots of amusing double entendres.
Don't see it if You are not a fan of modern interpretations of ancient Greek plays.
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