New Federal Theatre revives its bio-show about the celebrated 20th-century African-American writer known as 'The Queen of the Harlem Renaissance.' More…
Best known for her novel 'Their Eyes Were Watching God,' Zora Neale Hurston was a prolific novelist, playwright, and journalist of the 1920s and '30s. She walks the audience through her remarkable life in Laurence Holder's bio-play, which captures her uninhibited and outspoken personality, chronicles the rise and fall of her literary career, and, above all, reveals her place in the politics of her lifetime, from the '20s to the early '60s. The play is rich with intimate portraits of her contemporaries, including poet Langston Hughes and novelist Richard Wright, and sparkles with excerpts from her significant works including 'Mules and Men,' a 1935 collection of powerful folklore.
"Regardless of what production arrives this season, there will be none better, thanks to the phenomenal performance of Elizabeth Van Dyke as Hurston. Van Dyke encompasses the heart and soul of her character. You smile when she is witty and sassy, or feel the tension as she speaks out in protest or quarrels with Hughes...'Zora Neale Hurston' is at the zenith of importance and acting ability. Witnessing Van Dyke as Hurston will become one of those noted theater history moments." Full Review
"Those who love Hurston's signature novel, 'Their Eyes Were Watching God,' must see this show. Young people unfamiliar with this author, must see this show. What an experience!...From the intimate to the cosmic, from the personal to the historical, the writer never compromises the truth. Joy dominates the performance...Director Woodie King, Jr. creates magic, using the space to effectively take the audience along the winding path of a complicated, demanding journey." Full Review
"In a majestic, dynamic and anguished performance Elizabeth Van Dyke tells her story in the first person...Woodie King Jr. directs a hyper-emotional Ms. Van Dyke in a series of flashbacks that tells us of her glorious journey from Florida to New York City’s heights of glamour. The magic of autobiographical theater took hold of me...Don’t miss this chance to share in the comedy, drama and intensity of American literary society." Full Review
"Not only important history but breathtaking performances. A theatrical biography could be tedious, but Laurence Holder’s 20-year-old piece is stunning...The performances of Elizabeth Van Dyke and Joseph Lewis Edwards, recreating their original roles, show the advantages of maturity...The staging of the piece by director Woodie King, Jr. overcame most of the limitations of the very small stage space. We needed very little more than to watch the performers at work." Full Review
"Elizabeth Van Dyke as Zora Neale Hurston is authentic and beautiful. Van Dyke inhabits Hurston in all her personas. When Van Dyke tells a story, a folktale, she becomes Zora...This theatrical biography by Laurence Holder presents Zora to us in all her strength and complexities...Joseph Lewis Edwards is also authentic and beautiful as four men who impacted Zora’s life...The chemistry between Edwards and Van Dyke is wonderful." Full Review
See it if You do or do not know the history of Zora Neale Hurston. You want to hear a good story and get a history lesson. You like simple staging.
Don't see it if You're not interested in learning about Zora Neale Hurston. You need elaborate staging. You'r not interested in hearing a good story.
See it if You enjoy biographical theater and have an interest in the work of August Wilson. Outstanding in all aspects.
Don't see it if You think seeing a show like Holiday Inn is the way to spend a Sunday afternoon. Not for those who do not want their thinking challenged.
See it if you like biographies, this is a serious, entertaining overview of an African American writer during the Harlem Renaissance. Excellent acting
Don't see it if you don't like bios, or aren't interested in African American history.
See it if If you enjoy Topical drama's, even many years later, drama's that deal with real life issues, then you will find this show riveting
Don't see it if You prefer fluff to solid content and tend to shy away from issues that confront society to this day
See it if you want to witness a great performance by an actress who was born to play this part, or if you are interested in the Harlem Renaissance.
Don't see it if you don't enjoy literature or folk tales, or if you don't want to see something centered around a strong woman or with only two performers.
See it if A representation of a complex life with attendant conflicts in black history. Superbly acted and will make you run to WIKI for further info.
Don't see it if You don't like biographies
See it if you'd like to learn more about a poet and writer often not in the forefront of literary history, yet deserves to be.
Don't see it if You're looking for an in-depth biographical play or if you're in the mood for an energetic musical.
See it if you want an accurate history lesson performed with spirit!
Don't see it if 2 people (one multiple characters) playing out the lives of dead people for 90 minutes!
See it if you would like to learn more about Zora and the Harlem Renaissance while watching a well acted well scripted account of her life.
Don't see it if you have no interest in historical portraits or were looking for a light entertainment musical.
Also Bravo to the Castillo Theatre. Out of the way but worth the trip.
See it if You are interested in the story of an African-American female writer in the mid twentieth century. Great acting.
Don't see it if If you aren't interested in biographical plays, or are looking for dramatic action.
See it if you are interested in the Harlem Renaissance and the many artists who participated in it. There is charming storytelling and dancing too.
Don't see it if you are interested in a detailed biography. Large sections of her life are skimmed over with brief references.
See it if you enjoy one woman shows with gold star acting and energy, you are interested in Hurston, the Harlem Rennaisansce; monologues.
Don't see it if You want a play with a traditional cast and plot, something experimental, or something more produced.
See it if you don't know her story. It's quiet fascinating. While not the greatest play, it gets the job done thanks to strong performances.
Don't see it if bio-plays or simply 2 person plays bore you. This is a 90 minute engaging Hurston lesson and that's fine.
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