“Much like Capote’s apartment, Ashford’s Tru has lots of beautiful trappings, but they don’t quite cohere.”
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"Allen’s script sags near the end, weighed down by wheel-spinning biographical exposition...and the failure to arrive of a satisfying climax."
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"Tru was written for an audience familiar with the Answered Prayers scandal; aided by Morse's eerily close-to-the-bone performance, it offered a poignant portrait of an artist in free-fall. Seen three-and-a-half decades later, it offers a faint echo of a long-ago literary dustup, although it is piquant to recall a time when a piece of prose could cause such trouble."
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