See it if Beautiful production of the classic. Sutton Foster is a phenomenon.Can't go wrong with Cole Porter.
Don't see it if You don't enjoy classic musicals.
See it if You enjoy big classic musicals. A traditional revival. Great performances and production.
Don't see it if You aren’t interested in revivals.
See it if You don’t want to be too challenged, and you like your dance slooooooow.
Don't see it if you want to see something that has carefully reassessed its place in history. Also don’t see it if you’re looking for edgy comedy. Read more
See it if You like classic musicals executed perfectly. The dancing is fantastic and Sutton Foster is delightful.
Don't see it if You don't like classic musical comedy with lots of big dance numbers. You only like plays or smaller, more serious musicals.
See it if you enjoy classic musicals with fantastic music and choreography.
Don't see it if you want to be moved - this is an unashamed musical comedy.
See it if You like old-school class musicals
Don't see it if You want something younger and fresher. Or don't like tap dancing
See it if 2.5 hours of pure entertainment, with the incredible Sutton Foster
Don't see it if Don't want to see some hammy UK actor performances
See it if You like witty songs and dialogue! Big dance numbers, a strong cast and antics abound. All aboard!
Don't see it if You're annoyed by slow love songs that bring the pace down. There are a lot of older references that I didn't get but that's to be expected
Imported Broadway star Sutton Foster effortlessly steals every scene as Reno with a devastating mix of raw talent ... and sheer, gutbusting effort. They don’t make ’em like this anymore ... but it feels fresh.
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Kathleen Marshall’s direction and choreography are supremely polished. The best songs and the biggest moments belong to Reno Sweeney, and [Sutton] Foster knocks them dead. A magnificent London debut.
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Director and choreographer Kathleen Marshall ... crams the two-hour ride with cheesy, feel-good moments: this is vintage stage magic at its most explosively joyous.
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Director Marshall keeps a tight ship, as it were, the neat set-ups and unnecessary complications of the plot weightlessly executed. Anything Goes revels in how ridiculous it is, and the audience does too. This is one to get drunk on, hangover-free.
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[The show is] held together by a fabulous central performance from the American star Sutton Foster as Reno Sweeney. Throughout the show, there is a demob-happy feeling – in cast and audience. It is exactly what the captain ordered.
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This classic Andrew Lloyd Webber musical is the longest running in Broadway history.
Michael R. Jackson’s Pulitzer Prize-winning masterwork about a young artist grappling with identity.
Ntozake Shange's groundbreaking performance piece is reborn on Broadway.