In multiple scenes there is lots of talking as events are described but little actually happens, and Stephen Unwin's direction could helpfully inject more zip.
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In Stephen Unwin’s snappy production, both women offer occasional monologues to hammer home the point that they are operating inside a deeply misogynistic system.
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Walker has crafted a vital new play that recalls some of David Hare's 1990s state-of-the-nation pieces for the National Theatre: it's witty and civilised but with a brutal undertow. Recommended.
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The strong moments come when the women talk frankly. In their occasional mirroring monologues, they reflect on their individual struggles...Walker’s point is hammered hard. For women – even “bloody difficult” ones – the fight for success is an uphill climb.
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