Blues for an Alabama Sky (London)
Closed 2h 45m
Blues for an Alabama Sky (London)
85

Blues for an Alabama Sky (London) London Reviews and Tickets

85%
(12 Reviews)
Positive
100%
Mixed
0%
Negative
0%
Members say
Great acting, Absorbing, Great writing, Great staging, Thought-provoking

About the Show

Lynette Linton directs Pearl Cleage's play exploring the pursuit of creativity & dreams in the face of an economic depression. 

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Member Reviews (12)

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512 Reviews | 79 Followers
97
Great writing, Great staging, Great acting, Clever, Absorbing

See it if you like a show with several separate/intertwining stories.Acting is excellent.Set is amazing.Writing is as good as it gets.

Don't see it if you are a racist.Actually you should see it so you can realized that people are people, some just have more of a burden to overcome.

117 Reviews | 9 Followers
73
Great acting, Great staging, Great writing, Intelligent, Relevant

See it if Great performances and good writing.

Don't see it if Fairly "old fashioned"

104 Reviews | 11 Followers
88
Intelligent, Great acting, Absorbing

See it if you want to see a superb cast in a play that is funny, heartbreaking and compelling in all the right ways.

Don't see it if you can’t sit through nearly 3 hours of quite slow theatre- regardless of how excellently written and performed it is.

90 Reviews | 3 Followers
70
Well-acted, Banal, Slow

See it if you like slow-burning plays about people's trials and tribulations, ending well for some characters and less so for others.

Don't see it if you like fast-paced plays, you dislike characters randomly breaking into a song/dance in a non-musical, you like satisfying endings in plays Read more

77 Reviews | 1 Follower
85
Elaborate set!, Wonderful cast!, Historic, Enthralling, Likeable characters

See it if you want to see a great drama's humour explore decisions and their effects in Harlem during the Great Depression & modernisation.

Don't see it if … There is no reason not to see it, however, it is a slow burn & runs at almost 3 hours.

74 Reviews | 6 Followers
100
Great writing, Great staging, Great singing, Great acting, Absorbing

See it if Olivier worthy productions are your thing

Don't see it if your not into a history style based play

11 Reviews | 0 Followers
90
Refreshing, Resonant, Funny, Great singing, Great acting

See it if A beautifully acted gem - moving and thought-provoking offering a glimpse of a unique moment in both queer and black history

Don't see it if You don't like traditional story-telling and a script that relies on melodramatic elements

10 Reviews | 0 Followers
76
Thought-provoking, Riveting, Profound, Absorbing

See it if You like brilliant storytelling and excellent acting performances

Don't see it if You're small minded

Critic Reviews (7)

The London Evening Standard
October 5th, 2022

"Terera, Adekoluẹjo and director Linton - each provide a different but potent draw to audiences. Certainly, they all contribute to the alchemy of a deliciously funny and deeply affecting piece of theatre."
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WhatsOnStage
October 6th, 2022

"Their conversation is funny and vital, their movement loose and full of dance...The evening sustains itself with performances that sweep you away."
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The Times (UK)
October 5th, 2022

"Vintage songs and music composed by Benjamin Kwasi Burrell are an integral part of Lynette Linton’s handsome production."
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Time Out London
October 5th, 2022

"This play makes a fraught, fascinating era of Black cultural history feel real and alive...And it paints rich, complex friendships with a warmth that stays with you, long after its final notes have faded."
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The Arts Desk
October 24th, 2022

"This is not strictly a musical but a play with sporadic music...It’s an all-round treat – would that the National could have scheduled it for a longer run."
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The Stage (UK)
October 5th, 2022

"Creative team come together in perfect sensual harmony...Movement direction from Kane Husbands is also remarkable – it gently illustrates the world of the play, sweeping through the scene transitions like a cool summer breeze."
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The Guardian (UK)
October 5th, 2022

"Samira Wiley and Giles Terera are fabulously matched as a waiflike singer with an astonishing bluesy voice and a larger-than-life dandy whose horror at bad couture provides a rich seam of frock jokes."
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