Blues for an Alabama Sky (London) London Reviews and Tickets
Member Reviews (12)
See it if Olivier worthy productions are your thing
Don't see it if your not into a history style based play
See it if you like a show with several separate/intertwining stories.Acting is excellent.Set is amazing.Writing is as good as it gets.
Don't see it if you are a racist.Actually you should see it so you can realized that people are people, some just have more of a burden to overcome.
See it if you want to see a superb cast in a play that is funny, heartbreaking and compelling in all the right ways.
Don't see it if you can’t sit through nearly 3 hours of quite slow theatre- regardless of how excellently written and performed it is.
See it if you want to see a great drama's humour explore decisions and their effects in Harlem during the Great Depression & modernisation.
Don't see it if … There is no reason not to see it, however, it is a slow burn & runs at almost 3 hours.
See it if Great performances and good writing.
Don't see it if Fairly "old fashioned"
See it if you like slow-burning plays about people's trials and tribulations, ending well for some characters and less so for others.
Don't see it if you like fast-paced plays, you dislike characters randomly breaking into a song/dance in a non-musical, you like satisfying endings in plays Read more
See it if A beautifully acted gem - moving and thought-provoking offering a glimpse of a unique moment in both queer and black history
Don't see it if You don't like traditional story-telling and a script that relies on melodramatic elements
See it if You like brilliant storytelling and excellent acting performances
Don't see it if You're small minded
Critic Reviews (7)
"Terera, Adekoluẹjo and director Linton - each provide a different but potent draw to audiences. Certainly, they all contribute to the alchemy of a deliciously funny and deeply affecting piece of theatre."
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"Vintage songs and music composed by Benjamin Kwasi Burrell are an integral part of Lynette Linton’s handsome production."
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"Their conversation is funny and vital, their movement loose and full of dance...The evening sustains itself with performances that sweep you away."
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"This play makes a fraught, fascinating era of Black cultural history feel real and alive...And it paints rich, complex friendships with a warmth that stays with you, long after its final notes have faded."
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"This is not strictly a musical but a play with sporadic music...It’s an all-round treat – would that the National could have scheduled it for a longer run."
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"Creative team come together in perfect sensual harmony...Movement direction from Kane Husbands is also remarkable – it gently illustrates the world of the play, sweeping through the scene transitions like a cool summer breeze."
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"Samira Wiley and Giles Terera are fabulously matched as a waiflike singer with an astonishing bluesy voice and a larger-than-life dandy whose horror at bad couture provides a rich seam of frock jokes."
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