For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy (Royal Court)
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For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy (Royal Court)

For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy (Royal Court) London Reviews and Tickets

(5 Reviews)
Members say
Absorbing, Profound, Important, Must see, Songs

Six Black men are vulnerable with one another at a group therapy session. 

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Member Reviews (5)

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96 Reviews | 4 Followers
Important, Dance, Songs, Verse, High energy

See it if you want to see passion storytelling What you see on the outside isn't necessarily indicative of what's going on in the head or heart

Don't see it if the shows title isn’t your choice of preferred theatre.

16 Reviews | 2 Followers
Profound, Must see, Intense, Intelligent, Absorbing

See it if You enjoy meaningful stories. You want to laugh and cry (mostly). You enjoy music being incorporated in plays! You like modern plays .

Don't see it if You don't care about mental health. You can't handle themes such as abuse/suicide/death.

7 Reviews | 0 Followers
Entertaining, Absorbing

See it if You want an more nuanced view of young black males, their hopes, dreams, fears & what they go through on a daily basis internally and extern

Don't see it if Go see it& learn that there is more to black men then headlines portray

3 Reviews | 0 Followers
Hard hitting, Poignant, Necessary, Emotional, Absorbing

See it if You have a black son, black husband, father, friend, colleague, acquaintance or want to expand your knowledge. It’s a necessary see.

Don't see it if You’re happy staying ignorant

1 Review | 0 Followers
Thought-provoking, Great staging, Profound, Great writing, Great acting

See it if If you want hear a multiplicity of perspectives on the experiences of Black men and boys in Britain. There's comedy, beautiful writing, hugs

Don't see it if .

Critic Reviews (6)

Time Out London
April 25th, 2022

...Cameron’s secret weapon – and that of his excellent cast – is humour. If ‘For Black Boys…’ can veer towards earnest cliché, there’s always a wickedly funny joke to undercut the seriousness, and Cameron has a wonderful ear for the merciless pisstaking patter of a group of lads.
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The London Evening Standard
April 8th, 2022

Given the title there’s a surprising amount of joy in Ryan Calais Cameron’s play. It’s a mosaic of young British black men’s experience, often laugh-out-loud funny and physically exuberant, occasionally poetic, but with a recurring undertow of dread.
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The Times (UK)
April 12th, 2022

This tender, poignant and vitally populist show’s cumulative impact is potentially profound. It has the power to make you want to treat your fellow human beings, regardless of their skin tone, with greater kindness and respect.
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The Stage (UK)
April 14th, 2022

But the other thing about this production that has not changed is its intention. That affirmation is no less necessary than it was last year: Black boys, you are beautiful, you are valuable – and you matter. How wonderful that more people get to receive this message.
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The Arts Desk
April 19th, 2022

Maybe because of being (presumably) written in lockdown, it’s bursting with energy. The individuals are excellent – Lawrence’s heartbreaking reveal of Midnight’s childhood trauma is a standout – but the collective is what’s powerful, here.
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April 8th, 2022

Slowly but surely, society is waking up to the mental health and suicide crisis affecting young males. And as Ryan Calais Cameron's lively and meaningful new show makes clear, young black men are at particular risk due to the discrimination they face in a white-run society.
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