"Mark Thompson’s design illustrates the production’s sweet spot: a technicolour combination of comic book and live action, Englishness as an aesthetic and a myth. 'Jack Absolute' is more content to cuddle up to that myth than to seriously challenge it, but as pure summer fizz, it goes down a treat."
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"This knowing mix of satire, filth, clowning, pastiche, wartime derring-do and romance absolutely hit my sweet spot. It won’t be to everyone’s taste, but not even the hardest heart could entirely resist its machine-gun barrage of humour."
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"This is the second consecutive show at the National to glance nostalgically back at a bygone Britain and present a sentimentalised picture. For me, at almost three hours on its final preview night, this comedy felt forced, unoriginal and drawn out."
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"It’s funny. It’s fine. We all need a chuckle at the moment. But ‘Jack Absolute Flies Again’ isn’t anything more than the sum of its laughs. "
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"There isn’t room to summarise all the complications of the plot. Suffice to say that Quentin delivers her fruity double entendres with aplomb, and even gets a chance to reveal her talent as a vaudevillean."
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“Where things start to go awry is when Jack Absolute Flies Again starts not being a comedy. It’s set during the war, there are difficult moments to explore, but this play tries to be too many things at once. The result is a near-three-hour long show, and towards the end you start to realise you really can have too much of a good thing”
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"The performances are uniformly (no pun intended) superb, and the company have an infectious joie-de-vivre. ... Although the pandemic delayed its premiere, 'Jack Absolute Flies Again' proves the perfect tonic to the miserable few years we have been through."
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"If the play is guilty of trying too hard, and is a tad one-dimensional, it’s also fair to say that once it breaks through the clouds and we’ve taken our seat belts off, 'Jack Absolute Flies Again' does settle into a veritable hoot."
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