The performance exposes problems with the script. The biggest ... is imbalance between narration and dramatisation. With strong jokes and jolts, Memic shows high promise but next time needs to go deeper and clearer from his jumping-off point.
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This isn’t a perfect play by any stretch – a narrator is a clunky device, for one thing. But it is a remarkably assured debut, shot through with ardour and pain, recalling history that’s recent and raw.
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Memic can really write, but this promising if flawed debut suggests that he should let his characters speak for themselves.
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