"This type of dramatic structure relies heavily on the success of the intruder’s characterisation, and this is where Orphans falls flat."
Read more

“What holds the attention is the way Kessler incrementally shifts the power dynamics within the trio, and the lurid weirdness of it all.”
Read more

"It feels incomplete – a peculiar gem of a revival. What stands out, ultimately, and holds you breathless, are the performances of the three actors."
Read more

“It’s an entertaining and snappily paced production, but the emphasis on laughs makes the moments of violence and grief feel so disconnected that they rarely achieve the visceral impact that they should.”
Read more

"Though it’s far from perfect...it is still a captivating play and a great reminder of the brilliant world that lurks behind a relatively hidden door on Jermyn Street."
Read more

“Kessler’s play is certainly a springboard for actors, but for audiences, it sags and slumps.”
Read more

“What lingers in the mind here is the play’s more soft-centred side, the affection between the characters rather than the animosity.”
Read more

“Orphans isn’t a smooth piece. There are moments where Kessler’s writing feels blunt rather than subtle.”
Read more