"Charlotte Bennett’s production goes pretty heavy on the old confessional monologue cliches: the trajectory from larky to serious is inevitable, the fleeting, cryptic mentions of a ‘list’ mean that inevitably we’re going to find out what the list is at the end."
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I'm shocked to find this is Trigg's first full-length play as it is so well-written and explores some really big topics while still being thoroughly entertaining. A hilarious, honest and heartwarming play which demands an audience.
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Trigg brings an endlessly funny and upbeat spirit to Juno’s journey, which is matched by her hot pink blazer and unwavering smile. She writes in a poetic style, as if delivering musical stanzas about everything...
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Both writing and performance are subtly modulated, preventing the story from ever tipping into simplistic tragedy or “inspiration porn”. Trigg deftly evokes the details of Juno’s life, her world, and the characters in her lively social circle.
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There is great warmth in [Amy Trigg's] performance and in her big-hearted play. For all its pain, it is enormously entertaining to watch.
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Trigg’s 90-minute comic confessional does what plays of this sort set out to do – force the audience to rethink their assumptions – with a winning mix of artless charm and flinty wit.
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Born with spina bifida, Trigg channels a wealth of personal experience and a pleasingly off-beat comic perspective into the story of Juno, a young woman navigating the emotional ups and downs of her 20s while living with the complex condition.
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