“Nina Segal's version captures the claustrophobia and anguish of the original, while setting it against a very modern framework, but it suffers from a lack of pace at times...If you are a fan of Ibsen, you will find this production refreshing and thought-provoking. If you are new to his work, it is unclear if it will convert you.”
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"The show’s ruminations on artifice, reality and control are subtly done until the last 15 minutes, when the plot spins off into repetition and absurdity. Shame: but I still left with my brain buzzing."
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“An energetic, colourful take on a classic and if its bolder ideas don’t feel like they’ve quite paid off, better a swing and a miss than no swing at all.”
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“Boldly reframing Henrik Ibsen’s drama of passion, jealousy and festering malice, Nina Segal’s darkly insightful play-within-a-play offers an incisive deconstruction of the classic drama. ”
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"It’s thrilling when style and substance can co-exist as happily as they do here, and the acting is magnificent. Very highly recommended."
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“This is a needle-sharp, savagely funny show, deftly skewering the coercive nature of male artistic genius while wittily sending up many of the conversations surrounding this sort of thing”
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“...’Shooting Hedda Gabler’ is a piercing, stylish reinvention of Ibsen’s classic. Watching it feels like licking a live wire.”
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“The double entendre of the title, ‘Shooting Hedda Gabler’, is just a preview of the multi-layered meta-narrative this piece takes you on as reality and fiction become muddled. This is an illuminating and chilling piece of theatre, as thought-provoking as it is entertaining.”
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