"As a soap operatic character-driven piece with some rather lovely observations about urban life and the pretensions people adopt around fine wine, it works pretty well; as a musical it comes across as a bit corked."
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"The musical's structure, for all its innovation, never allows more than a sliver of personality to emerge. The scenes are not long enough for character to develop properly and too much time is spent going over the same ground."
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"Ryall’s writing is very funny at times, and a great deal of care has been taken to adapt each thread of the story to suit the character. It’s an engaging concept, but the plotting gets quite muddled along the way and a serious turn of events toward the end of the second act alters the tone of the piece."
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"This is a new musical that bills itself as having legs, and it definitely does – though it needs to walk before it can run."
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