...ripe for revival but the story asks more questions than it answers... The few stirring scenes reach beyond politics... One wishes for many more of these moments.'
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Joe Harmston's terrific revival is alternately precise and anguished. Phillips's clever folding of past and present... unfolds the action like a mystery to be solved.'
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Phillips’s detailed and at times laborious drama doesn’t come to any startling new conclusions...but instead rather hedges its bets as it wends its meticulous way through elegant, occasionally overwritten scenes.'
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Slick spy drama doesn't quite come together. Excellent performances aren't enough to cover the holes in this fictionalised account of the Rosenbergs.'
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The play is, quite unashamedly, a homage to Arthur Miller... It’s impeccably acted... At over two and a half hours it’s overlong, but it’s an intimate, emotionally charged revival nonetheless.'
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The performances are moving...At two hours and forty five minutes it's a long production and it suffers slight dips in pacing, but has some relevant commentary on fraught political climates.'
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