...sometimes solemn, sometimes joyful delve into South Africa’s tangled racial politics...the visual flair of its staging, strong performances and an excellent Afro-electro soundtrack make up for the glib slightness of the story.'
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Despite very solid performances from Enoch and Cusack, the script and characterisation is thin...It almost feels like a ‘spectacular’ rather than a play...'
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...a prosaic script is offset by Gregory Maqoma’s supple choreography and Duncan McLean’s swirling design, as well as by participation from the standing audience.'
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...a very polished production with a natural feel...an enticing, celebratory piece of gig theatre with a huge energy.
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