"The production is an exciting springboard across all areas of it from the veterans to the new talent."
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“This is a story that’s all about subverting easy assumptions, confounding stereotypical expectations around rural people’s attitudes and motivations while commenting thoughtfully on the endless clash between modernisation and tradition.”
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" This might be a realistic picture of a Brexit-supporting, overlooked pocket of rural England. ... ‘Village Idiot’ feels more like presentation of them, and for all its talk of ‘progress’, I wanted it to display a lot more."
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“...a talented cast and stunning production make this run of ‘Village Idiot’ an enjoyable evening”
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"This is a wonderfully diverse and capable cast clearly having a lot of fun on stage, I left with the feeling that this could have made double the impact in half the time."
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As state-of-the-nation dramas go, they don’t usually ask you not to be a c*nt in the first two minutes. Nadia Fall’s production of Samson Hawkins’ Village Idiot, opens with a welcoming start but proceeds to offend everything that moves. Yet this is equal-opportunities offence
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