See it if you're a fan of Stephens or Skinner or if you're in the mood to see an ok play that tries to do too much and loses most of it getting there
Don't see it if you expect to be moved by the story Read more
Pin-sharp revival is as heartbreaking and funny as ever... I can’t think of a more fitting tribute than Evans’s production.'
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...it remains a shatteringly personal play and a deeply involving one... It puts the disability at the centre of the play in plain sight, and we can't look away. Nor, watching this finely-tuned production, would we want to.'
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Peter Nichols' classic has rare truth...There are excellent performances from a cast including Toby Stephens and Claire Skinner, in a fine revival of Nichols’ humane play.'
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A taste of theatre history... It’s a striking, important piece of work, but it no longer has quite the impact you suspect it once had.'
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...despite one utterly heart-rending moment...Evans’ production feels too comfy and clean... the production never comes close to replicating the rawness and daring – the shit and the spit – of the play itself.'
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Tragi-comic masterpiece...Sharp revival of Peter Nichols's taboo-busting fantasia is magnificent... Simon Evans's terrific production presents a perfect balance between tragic desperation and uneasy laughter...'
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Both savage and compassionate...Simon Evans's super-starry production...is both worthy tribute and a resounding vindication: the play, if anything, feels more savagely true than ever.'
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Perhaps it’s a case of being a victim of its own successfully-made point: for a play about covering everything up, it certainly feels like we’re only getting the surface layer.
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