“Lindasy Posner’s production demonstrates just how magnificent Frayn’s play actually is, the second act, in particular, demonstrates the intense choreography required to pull off any theatrical production, and that couldn’t be truer for Noises Off. It is extremely clever and wildly funny, and even forty years on remains a masterclass in farce.”
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“ ‘Noises Off’ is a shining example of its genre and will undoubtably have it’s audience in stitches during its run in this iconic venue.”
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“Noises Off is a great example of an 80’s comedy. It has an entertaining structure and premise, it just feels dated. It would be interesting to see a fully revamped modern interpretation.”
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“Thespy theatregoers will love the in-jokes here – the darlings and loves and fretting about motivation – but Frayn’s play has always been about more than just stagecraft. ”
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It is often said that laughter is the best medicine. In which case, Noises Off should be prescribed on the NHS.
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Noises Off is always funny, but it’s always funniest the first time. I envy those discovering it in Herrin’s production — you’re in for a rib-splitting treat.
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“Minor niggles aside, Frayn’s comic classic seems to be bulletproof. Hats, and trousers, off to him.”
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“Michael Frayn’s ‘Noises Off’ is a classic, a landmark of metatheatrical humour that also mercilessly brought the curtain down – literally – on the rum sex comedies of the ’60s and ’70s. ”
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