"A bright-blazing production...brims with humor and pungent life. It features a flawless cast...Ms. D’Amour’s play has a loose, baggy structure that sometimes works against it, but this aptly reflects the aimlessness of its characters, who live day to day and would rather not think about the unhappy past or the foggy future...the teeming energy that floods the stage helps roll past the more heavy-treading passages." Full Review
"Hungry for clichés? 'Airline Highway' is chock full of them...overstuffed and unfocused...The play doesn’t know what to do with itself...There’s one fabulous, unexpected scene at the end — Miss Ruby’s address to her troops. Gorgeously lit and hauntingly poetic, it makes you angry for the show’s missed opportunities." Full Review
"Like a lot of all-night parties, this one doesn’t stand up to the light. The scribe has installed a well-observed group of misfits and losers in the Hummingbird Motel, a haven for social outcasts. But aside from throwing her makeshift family that state-of-the-art shindig, she doesn’t give them much to do — or let them do anything for themselves...'Airline Highway' comes from a long tradition of waiting-room plays, which see a lot of misery but not much action." Full Review
"Although the characters are familiar in many ways, director Joe Mantello and his accomplished cast breathe spirit into most of them, and the big, boozy party scene has jazzy vigor...'Airline Highway’s' multiple plot threads are pulled out (or forgotten) in a rushed, unsatisfying denouement that resorts to summarizing its message to the audience in the form of a (literal) high-school class presentation. Like the cinder-block–mounted car the play has color and beat-up charm, but doesn’t go any... Full Review
"'Airline Highway' is above all a series of interrelated character portraits, although the playwright tries to put a thin narrative frame around those portraits...She writes about characters who others call losers – people who deserve to be represented on stage." Full Review
"Every character is aggressively colorful in Lisa D'Amour's new comic drama Airline Highway. Set in New Orleans, it's like very bad Tennessee Williams, with each new person spouting cold truths, snappy rejoinders and hard-won pearls of wisdom until you long for someone to just show up and not have a backstory or some pain bursting to get out. No such luck." Full Review
"It’s a wholly derivative piece of work that has been knocked together from refurbished spare theatrical parts...For all its shameless familiarity, the first act of 'Airline Highway' is perfectly watchable, even entertaining...Not so the second act." Full Review
"Its shifting the lens down the social and class scale results in a fascinating collage of personalities on the brink...D'Amour's writing otherwise strains against its own obviousness...Once you've heard a little, you'll want to learn more, but you won't get to know pretty much anyone sufficiently well enough." Full Review
"'Airline Highway' presents a lively, detailed portrait of a lower class community in the South. But nice as it is to have a wide assortment of colorful characters, the focus too often drifts away from the central players of the plot. It ends with many of the conflicts unresolved." Full Review
"Despite being given a dynamic production with a highly capable cast, this rambling character-driven piece lacks drive and clarity of purpose. While it's a vividly populated canvas, the playwright doesn't do anything much of interest with it...Many in the audience will have lost patience long before then with this disappointing play." Full Review
"Playwright Lisa D’Amour’s script is a slow road to nowhere...Veteran director Joe Mantello does his best to breathe life into the production, skillfully staging the actors across Pask’s fine multi-level set, and firing up a rousing party scene at the start of act two. But in a landscape made infamous by Tennessee Williams, this tale is oddly lacking in poetry.” Full Review
"Lisa D'Amour's script is a slow road to nowhere...In a landscape made infamous by Tennessee Williams, this tale is oddly lacking in poetry. If the Hummingbird is symbolically a fragile nest filled with small lives, its creator left out the tension and passion that could have turned it into a "Motel Named Desire."" Full Review
"D’Amour, while clearly sympathetic to her characters, conjures a world too neatly balanced, too eccentric, too oddly wholesome. They’re types, not people. 'Airline Highway' never reaches the status of powerful Katrina post-mortem it seems to be striving for." Full Review
"D'Amour has done some good work since Chicago...'Airline Highway' does not go for the jugular nor rage with the anger that some in New Orleans legitimately feel...it feels very much like the work of a hometown writer, whose first impulse is affection and surely not cold-eyed analysis. This still is a play that breathes the New Orleans air and, to his credit, Mantello offers a sophisticated reading of those rhythms, jagged and unpredictable, somnolent and then crackling with energy." Full Review
"For theatergoers who like big casts that are well directed in huge, rambling plays, a visit to see 'Airline Highway' is recommended...I’m a sucker for big casts, especially very talented ones, which 'Airline Highway' delivers under the expert direction of Joe Mantello...D’Amour should have let 'Airline Highway' ramble more and not tried to tie everything up." Full Review
"A loose-limbed character study by Lisa D’Amour...There aren’t any sort of tidy resolutions in 'Airline Highway,' and we never get the feeling these has-beens at the Humming Bird will pay Miss Ruby any due. They’re stuck, but at least they’re having a swell time." Full Review
"If you're familiar with the large ensemble plays of Lanford Wilson, you'll find comparisons to 'Airline Highway.' There are also echoes of Tennessee Williams. If 'Airline Highway' doesn't rise to the level of those lauded works, MTC is giving this play a splendid production...'Airline Highway' takes its place among a host of existential works. Extremely thoughtful and poetic, it provides perspective but little new insight on a world that one character describes as 'no B.S., no pretending, no... Full Review
"In 'Airline Highway' the lyrical, funny, aching new play...all are drawn with both haunting specificity and an utter lack of sentimentality...You may not want to join this family, but you will love and honor its members." Full Review
"Bait Boy’s teenage stepdaughter represents us — the audience — as an outsider trying to understand this community, and her character feels forced. But I love the world of this show and I did not want to say goodbye to these people when the curtain went down. While the whole ensemble is impressive, Julie White and K. Todd Freeman deliver particularly standout performances." Full Review
"Her intriguing but diffuse new drama is more of a soft-focus snapshot of urban poverty than the powerhouse it could have been...there are just too many characters for a play that can already feel rather diffuse and unfocused." Full Review
"D’Amour’s writing can be incredibly on-the-nose. Her affection and lack of judgment for the seedy characters within is truly felt. Their aimlessness might translate literally to some audiences while the refreshing lack of melodrama might entice others...Director Joe Mantello has wisely retained most of his first-rate Steppenwolf cast. They make 'Airline Highway' more than worth a one-night stay." Full Review
"D'Amour's writing unsparingly, unabashedly gets at fundamental aspects of the human condition. There are patches of the drama that drag when everyone talks over one another. But this feels realistic and uncovers something about each character's desire to connect – however scarred they may be – over bonds they've formed and broken in the past...Director Joe Mantello creates a detailed world, with nuanced performances from an ensemble cast." Full Review
for a previous production "A nearly unimprovable production...D’Amour’s deep and decidedly soulful work takes us convincingly into the world of strippers, hookers and party-animal bartenders in pursuit of the search for what Miss Ruby, their dying substitute mother, calls “ecstatic experience”...The play doesn’t sugarcoat human misery, although it is also filled with wit and humanity and plenty of energy stemming nonstop from an ensemble that doesn’t have a weak link...It’s a beautiful play." Full Review
See it if you enjoy slice-of-life pieces, heavily populated, w no story arc. The set was impressively squalid, the characters not nearly as convincing
Don't see it if you value a strong script: well-constructed w believable characters and insights. An unwatchable mess.
See it if you want to see a rag tag group of addict/user transients turn into a family who make their home at a worn down, cheap motel
Don't see it if you want to see any kind of social reality with this uneven script; no character development; hints of underage sex with a minor
See it if You love fantastic of truly creative, dynamic, original new plays...also if you love New Orleans and its inimitable culture.
Don't see it if You have no interest in the subject matter or in New Orleans generally.
See it if You want to get a peek into the characters lives and watch a play mainly focusing on a group of people.
Don't see it if You are looking for a strong plot, the play mainly focuses on the characters, which I personally enjoyed.
See it if I heard that Tony-winner Julie White was "starring" in AIRLINE HIGHWAY but her character was just a part of this oddball ensemble play. MEH
Don't see it if Skip this one if U don't care for shows about White trash and transvestite prostitutes that use a rundown hotel as a giant whorehouse. TRASH
See it if you enjoy character studies of large groups of people. We meet a colorful assortment of folks at this last-ditch no-tell motel.
Don't see it if closely examining multiple people at their rock bottoms is a bit too depressing for you.
See it if You like new musicals, like stories about people that are "invisible", stories that are a bit off, like quirkiness
Don't see it if Hate musicals, slow stories, have no patience, because this story drags
See it if you are looking for some edgy, interesting theater, with characters you love to hate until you learn to love them.
Don't see it if you are looking for light, or simply entertaining fare, or want to escape into a happy place.