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Choir Boy (Broadway)

From 57 critic and 401 member reviews
Members say: Great singing, Great acting, Absorbing, Relevant, Entertaining

About the show

After staging its US debut in 2015, Manhattan Theater Club brings Oscar-winning writer Tarell Alvin McCraney's ('Moonlight') music-filled drama, about a gifted member of a school's gospel choir, to Broadway. More…

For half a century, the Charles R. Drew Prep School for Boys has been dedicated to the education of strong, ethical black men. One talented student has been waiting for years to take his rightful place as the leader of the legendary gospel choir. But can he make his way through the hallowed halls of this institution if he sings in his own key?



95
Theatermania

“Ferociously entertaining...’A deep, multifaceted role, and Pope's work here is monumental...In the half-decade since MTC premiered ‘Choir Boy’...McCraney has continued to finesse the already smart and satisfying piece...McCraney has made some exceptional revisions...‘Choir Boy’ feels less rushed, now, especially when it comes to the breathtaking gospel numbers...If ‘Choir Boy’ were that alone, it would be enough, but this great play, like its main character, contains multitudes.” Full Review

95
Theatre Arts Daily

"'Choir Boy' is terrific, and is every bit deserving of a production on the great white way, even with its own small share of flaws...In the hands of a less confident and artful author, 'Choir Boy' could easily become well-meaning ooey-gooey claptrap. However, McCraney is no lesser author, and his script is smartly observed and rammed full of life...'Choir Boy' is, in short, a revelation of a play, and the cast currently performing at the Friedman Theatre is—dare I say—perfect." Full Review

90
Times Square Chronicles

"'Choir Boy,' grabs your heart and your soul with the exquisite performance by Jeremy Pope...It is the play's quiet moments, such as when Pharus calls his mom or A.J. comforts Pharus, that the show breaks your heart. The cast is extremely effective and wonderfully talented. We know who each of these people are, but it is the charismatic Pope, in his star-making role of Pharus, that steals the stage and our hearts...So far the best play of the year and the best performance by an actor." Full Review

90
CurtainUp

“Vibrant and beautifully conceived...While both Cooper and Pendleton have been cast as stereotypes, they are needed to propel the play forward and both...can make even stereotypes feel fresh...The most remarkable and original aspect of ‘Choir Boy’ is...the actual acapella singing...Another in a long list of boarding school plays...But McCraney’s outstanding writing skills and the clever use of that chorus make ‘Choir Boy’ a most welcome and original addition to Broadway." Full Review

90
AM New York

“An engrossing production...Scattered throughout the play are gloriously harmonized, aggressively choreographed choral sequences...I seriously hope the production receives a cast album...Some of the plot twists are outright bizarre, and other moments are left decidedly murky, which adds to the play’s sense of mystery...In any event, ‘Choir Boy’ makes for highly engrossing, personal and poignant theater. It is a smashing start to the new year on Broadway.” Full Review

90
Theater News Online

"A big-hearted, gimlet-eyed portrait of young African Americans navigating class and sexual differences in private school...The result is worth a loud and proud hallelujah...Jeremy Pope’s lead performance is a whirling, glittering thing of beauty...All the actors deserve high praise for seamlessly meshing on the many musical interludes based on hymns and spirituals, which are expertly woven into the naturalism of the rest of the show by ace director Trip Cullman." Full Review

90
CitiTour

"Had McCraney limited his play simply to Pharus' journey, even told as compellingly and bravely as it is, the work would be stirring. But it's more than that because McCraney adds so many layers to his tale, including the boys' various relationships to their parents, an exploration of the realities of wealth in the African-American community, and even a much-needed outside perspective to the longtime issue of race relations." Full Review

90
New York Stage Review

“A knockout tale of music, homophobia, and racism told in rousing and entertaining manner...With an expanded production, a strengthened script, and the return of three of the central actors, McCraney’s play is even more powerful now...Spirituals, sung by the choir, are woven through the drama...What is most significant about these spirituals is that they are so exceptionally performed...Pope is remarkable as the self-assured singer who refuses to back down.” Full Review

90
NY1

“Cullman’s clear-eyed direction makes excellent use of music and movement to evoke the students’ surging emotions...Each of the performances ring oh so true...It’s hard to imagine anyone but Pope as Pharus...It is his impassioned performance that makes the play truly sing...McCraney’s soulful writing brings to mind the great August Wilson. With ‘Choir Boy’ he establishes himself as a major new voice in the theatre.” Full Review

90
DC Metro Theater Arts

"A soul-stirring Broadway debut...Flowing with the unsurpassed eloquence and empathy that define the award-winning playwright’s exquisite style, the coming-of-age play with music is once again directed by Trip Cullman, with an engrossing balance of vibrancy and poignancy, humor and heartbreak...The stellar cast’s compelling portrayals are enriched with soaring a cappella vocals and animated movement that express the characters’ deeply felt emotions...Don’t miss it." Full Review

90
Stage Left

“The experience of seeing the Broadway premiere of “Choir Boy” is transcendent. . The play itself, its structure and devices, is hardly revolutionary...Finely acted and beautifully told...Its red-hot simmering story and soaring music offer a nice complement to the deep freeze of winter...The very presence of this play on Broadway about a black, queer teenage boy navigating private, Christian Prep school life is seismic, and Pope offers a memorable debut in this timely and important work.” Full Review

90
Towleroad

“A new play...that allows young Black men the rich, messy humanity of any other character, rather casting them as unseen statistics...‘Choir Boy’ is nothing short of a rapture...McCraney unfurls an ensemble coming-of-age story that’s insightful and generous with every boy in the choir...In their intimately observed stories, and through soulful, rousing music interludes, McCraney illustrates the specific cultural forces that shape the conventions of Black masculinity." Full Review

90
The Stage (UK)

"Addressing issues of class, privilege, and homophobia within this community of colour, the play combines humour with pathos...Cullman’s production balances playfulness with an increasing sense of tension...Music and movement are central to the production...Traditional black spirituals provide cultural context and connect these boys to their history. These interludes also permit the characters to express themselves in ways that are not verbal – to move beyond words.” Full Review

90
Medium

"Director Cullman combines all the elements of writing, acting, and design to create a play that is equally powerful and emotionally moving. The pacing is perfect and poignant ...Playwright McCraney often uses music in the way a musical does, to heighten emotion and express the feeling of a scene, but even more haunting is the Cullman’s strategic use of silence: he makes us sit in the uncomfortable and the painful in ways that are remarkably evocative." Full Review

90
Journal Inquirer

"Solidifies Cullman's reputation as one of the brightest young directors...McCraney brilliantly captures complex characters that are not just archetypes, but delves into the debate between morality and righteousness. If 90 percent of directing is getting the right cast, Cullman nails it with a superb, talented group of actors, mostly young men who have never graced the Broadway stage before...'Choir Boy' is a necessary play considering our growing social and political discord." Full Review

90
Splash Magazines

“McCraney refuses to settle for a modern, coming-of-age story...He starts there and incorporates—and implicates—the rest of humanity...‘Choir Boy’ succeeds not just because of its words and themes...It is impossible not to be swept away by the soaring, a cappella heights of the show’s songs and its use of complex, explosive dance movement...The production is sumptuously, sensitively directed...This is a play that exquisitely balances light and dark, hope and despair.” Full Review

89
City Cabaret

“The tension is quickly spotted along with the glorious harmonies in the touching, beautifully written, ‘Choir Boy,’ a coming-of-age play...A stunning production...Cullman tightly steers his cast with meticulously deep characterizations and a fluid moving story...’Choir Boy’ shines brightly with the emotions and humor of human essence, young exuberant talent and glorious musical sequences, as well as the energy and infectious Jeremy Pope as Phalus Young.” Full Review

86
Front Row Center

"A layered and muscular one-act with music, drama, comedy and a loaded title...If one of the performed numbers, Boys to Men by New Edition, is a little too on the nose, nearly every other moment of this unique play, first staged off Broadway in 2013, buzzes with tension or glides into joy...Pope handles these transitions effortlessly, creating a vivid, capable and graceful character. His cast mates are equally skilled, and aided in no small amount by the clever direction of Trip Cullman." Full Review

85
DC Theatre Scene

"Sweet, sad, substantive play. With nimble direction by Trip Cullman and a lively cast mostly of Broadway newcomers performing some soulful music, it doubles as a glorious entertainment...Each of these characters arguably illustrates for us what it means to become a black man in America, giving a freshness to what is in broad outline a familiar boarding school coming-of-age story." Full Review

85
BroadwayWorld

"While the play takes place in contemporary times, McCraney and Cullman’s warmly affectionate tone gives it the kind of nostalgic feel that's familiar to the genre. And the issues that arise in the piece do have a touch of familiarity. What isn't familiar, though, is placing a young gay man of color - one who feels he has nothing to hide - at the center of it all, considerably raising the significance of placing a play like ‘Choir Boy’ in front of Broadway audiences.” Full Review

85
Variety

“Sweetly exuberant...The play transfers nicely, under the surefooted direction of Trip Cullman...The new venue also gives the show’s sensational young lead, Jeremy Pope, more room to spread his wings and soar...Pharus is a strange and wonderful character with the courage to be his own exceptional self...The music is joyous...The songs follow an arc from familiar hymns sung in strict choral harmony to less formal, but meaningful solos. Everyone gets his moment." Full Review

85
Theatre Reviews Limited

"Important and engaging...Under Trip Cullman’s sensitive and discerning direction, and with the full support of the dynamic cast, Mr. Pope and Mr. Clay III wrestle with the relentless demons of homophobia and racism and deliver engaging performances that are solidly related to their disparate conflicts." Full Review

85
New York Magazine / Vulture

“Cullman has a buoyant feel for the play’s comedy and...gives ‘Choir Boy’s’ songs the front-and-center treatment they deserve. The play is an undercover, and gorgeous, a cappella musical, kept aloft by the extraordinary vocal talents of its cast...McCraney’s scenes don’t always boil with the same urgency...But if the play sometimes wobbles a bit in its forward motion, it never loses its sense of lift, of reaching upward. Its performers and its music keep it flying.” Full Review

85
Daily Beast

“A stirringly acted drama about desire, masculinity, and identity...The songs are beautiful, and beautifully sung, if sometimes puzzlingly placed...Pharus' refusal to obviously define himself, or for the play to define him, is key to the play and yet dramatically it is also a flaw...The play unloads key pieces of information and lets them sit unelaborated upon. These oddities do not undermine Pope and Clay's excellent performances, or the power of a story about the cost of coming out." Full Review

85
Theater Pizzazz

“In this revival of McCraney’s spirited and heart warming drama you’ll many times feel you’ve been warmly wrapped in the arms of the spirituals sung in gorgeous harmonies...You’ll hear some glorious spirituals, peppered with many insightful performances, in this coming of age story directed by Cullman who keeps a sharp eye on the fun stuff, with...well thought out scenic and costume designs, lighting...and notably strong choreography.” Full Review


100
Great writing, Great acting, Masterful, Must see, Thought-provoking

See it if You’re looking for loved Moonlight, want to see a powerful ensemble who are triple threats, masterful storytelling, something truly fresh

Don't see it if You’re uncomfortable with homosexual storylines

100
Absorbing, Great acting, Great singing, Great staging, Great writing

See it if You want to be moved by an authentic portrayal of a gay black experience

Don't see it if You don’t care about other humans

100
Absorbing, Great acting, Intense, Relevant, Great singing

See it if You want to watch an intense, poignant, powerful story about the lives of young black men and how often their voices are not heard.

Don't see it if You’re a racist or a homophobe.

100
Absorbing, Great acting, Great singing, Great staging, Great writing

See it if You enjoy coming of age stories

Don't see it if You don’t like love stories, a racist and homophobic

100
Great singing, Great staging, Must see, Profound, Relevant

See it if You love a great storyline and singing

Don't see it if You do not like shows about teens finding themselves

100
Absorbing, Great acting, Great singing, Refreshing

See it if great singing, acting and bodies

Don't see it if don't like accapella

100
Absorbing, Relevant, Must see, Masterful, Refreshing

See it if You appreciate good theater. It’s the modern Take Me Out/History Boys/etc. Utter perfection from start to finish. But not for everyone...

Don't see it if Your first comment will be ‘i didn’t think shows should have so few people. They should be cheaper if they do’ like the people behind me 🤷�

Also It saddened me to see a half empty mezzanine and an audience not burst... Read more Read less

100
Absorbing, Clever

See it if The show is thought provoking

Don't see it if It’s goid story- not light- but strong strong show

98
Exquisite, Great singing, Intelligent, Resonant, Great writing

See it if If you are a fan of great writing and singing. The play is very moving!

Don't see it if If you have issues with homosexual themes.

Also This show is very special and has resonated with me since I saw it a w... Read more Read less

98
Absorbing, Funny, Great singing, Profound, Must see

See it if You like a play that will make you think and may leave you conflicted. Incredible singing and dancing that fit into the story.

Don't see it if If gay themes bother you.

97
Absorbing, Great singing, Great staging, Great writing, Intelligent

See it if you enjoy actors with fabulous voices singing a cappella. See it to remind yourself what it is like to be a young gay person.

Don't see it if gay-themed shows, male nudity, or the use of the "N" word bother you.

Also Try to go when there is a discussion after the show. A handful of acto... Read more Read less

97
Entertaining, Funny, Great singing, Thought-provoking

See it if If you enjoyed Dear Evan Hanson. It touches on sensitive subjects in a musical setting.

Don't see it if I just loved it so I can’t think of why anyone shouldn’t see this.

97
Great singing, Thought-provoking, Relevant, Entertaining, Great acting

See it if You are interested in how young men aspiring to honor relate to their peers and teachers in a boarding school setting.

Don't see it if You don’t like plays focused on the sexual and maturational conflicts of adolescence.

96
Refreshing, Must see, Great singing, Great staging, Funny

See it if Love great musicals, gospel and R&B music.

Don't see it if Dont like nudity, non traditional relationships

96
Delightful, Great singing, Great writing

See it if You like a good story with great singing added.

Don't see it if You hate hate a well told tale

96
Absorbing, Entertaining, Great acting, Intelligent, Great singing

See it if A look into one of the aspects of the African-American LGBT communities.

Don't see it if If examining homophobia is an issue for a the ticket holder, do not attend.

Also Tarell Alvin McCraney has treated the theatrical community to a powerf... Read more Read less

95
Great writing, Great singing, Great acting, Exquisite, Absorbing

See it if you enjoy heartfelt stories of masculinity and self discovery. You've ever admired a male chorus or choir or like inspirational music.

Don't see it if you are self doubting or homophobic. Avoid it if you are put off by Black males and their stories.

95
Thought-provoking, Intense, Resonant, Riveting, Great singing

See it if you enjoy acapella singing. Intense plot, fast paced, and very well acted. A great and very relevant evening of theater.

Don't see it if you are uncomfortable with gay themes.

95
Absorbing, Great acting, Great singing, Great staging, Emotional

See it if You like plays with music; small cast; theater that shows conflict without resolution; gay themes

Don't see it if See above

95
Brilliant, brave, bold, beautiful

See it if exceptional, insightful writing, performance, direction and choreography of challenging and emotional material is what your idea of theatre

Don't see it if racial or sexually overt themes make you uncomfortable including some subtle nudity.

Also Perfectly cast and beautifully directed, deeply moving. I hope this sh... Read more Read less

95
Absorbing, Great acting, Must see, Profound

See it if you are interested in story lines that explore the intersectionality between growing up black and lgbt.

Don't see it if you don't like lgbt topics

95
Absorbing, Great acting, Intelligent, Masterful, Thought-provoking

See it if you want to see a well-written, timely play about being gay in an oppressive culture. Great ensemble work!! Wonderful singing.

Don't see it if you are uncomfortable with gay-themed plays or male nudity.

95
Great acting, Great singing, Must see, Refreshing, Thought-provoking

See it if Excellent is many ways, excellent performances by many.

Don't see it if Minor flaws in scrip, nothing major, definitely a must see.

95
Delightful, Enchanting, Great singing, Great acting

See it if for a funny, heartbreaking, all in all fantastic show with great singing and acting.

Don't see it if you don't enjoy beautiful theater!

95
Riveting, Great singing, Refreshing, Profound, Great writing

See it if the story is so well told and so moving...the harmonizing was amazing and when they started stepping i was on the edge of my seat. fresh

Don't see it if you want something light & funny, this isnt it. very emotional and you will likely cry