"Perhaps the most arresting facet of this towering accomplishment is that it all feels as though it's been created just for you. Delivered as it is through a headset you're provided upon taking your seat, the soundscape is intensely intimate, which only makes the shivers cut deeper...This is theatre so pure, it doesn't need sets. But in eschewing them, 'The Encounter' gets them as no other show ever has—and oh so much more, too." Full Review
"No production on Broadway has ever thrown the doors of perception open as widely as 'The Encounter,' Simon McBurney’s astonishing one-man show...McBurney sustains the momentum of his story as tensely and enjoyably as if it were a Rudyard Kipling yarn...It may be he who’s running and dancing and leaping and sweating. But by the end of this nonpareil show’s two intermissionless hours, you are as lightheaded, exhausted, baffled and invigorated as if it had been you." Full Review
"Closing one’s eyes in the theater can be a sign of boredom. But shutting the peepers at McBurney’s utterly transfixing mind-tickler 'The Encounter' is a valid expression of rapture...McBurney is a wryly engaging performer who can command an audience by sheer force...In this primal, lysergic movie for the brain, McBurney covers a dazzling array of topics...Part mystic thriller, part tricksy aural illusion, 'The Encounter' offers a meeting of ear, mind and soul you will never forget." Full Review
"The planes of fantasy, reality, and make-believe are beautifully brought together in the absolutely brilliant production...Conceived, directed, and performed by Simon McBurney, the show expertly combines humor, drama, and sound effects wizardry...McBurney’s performance is nothing short of excellent. The actor changes accents, postures, and movements as he literally throws himself into the world that he and his team create. The other star of the performance is the sound design." Full Review
"It's one of the most extraordinary shows I've ever seen...The adventure moves swiftly and it's funny, disturbing, surprising. But what will really capture you is the way the story is told, through radio play-like audio that is completely immersive...As we travel with McBurney, fear for him, he becomes more open to the mysteries of the world. And so do we." Full Review
"This could have been a simple action-adventure tale with McIntyre as a Harrison Ford-type hero. But McBurney, who also directed the show, adds layers of meaning and dimension...He forces us to question our reality as he breaks down the familiar conventions of theater...The creator-performer daringly submerges himself into an alternate universe of sound and sensation, taking venturesome theatergoers on a wild ride." Full Review
"At first glance 'The Encounter' feels like a radio play accompanied by thick layers of sound effects, some live and others pre-recorded. Then the set, an anonymous-looking radio studio, comes to hallucinatory life, and suddenly you find yourself swept up in Mr. McBurney’s high-tech dramatization of McIntyre’s bizarre yet somehow believable tale. The result is a piece of storytelling that is as haunting and enthralling as a half-remembered dream." Full Review
"Even in public, it feels like we're in a time and space all our own...With sound designers Gareth Fry and Pete Malkin, McBurney transforms our own relationship to reality, space, and perception through the constantly shifting sounds in our headphones...McBurney's performance is captivating: He's exactly the kind of storyteller you'd happily listen to even in the absence of these technological interventions." Full Review
"McBurney is able to achieve an immersive theatrical experience by having a deep understanding of the essence of human perceptions, and making full use of everything that’s readily available. McBurney, with the help of sound designers Gareth Fry and Pete Malkin, has turned the performance into a synesthesia-inducing, orgasmic auditory experience, and the rigidly structured Broadway theatre into an intimate, elastic organism that breathes through various dimensions." Full Review
"While 'The Encounter' could easily settle as a radio-play, McBurney's up to something far more ambitious...The nearly two-hour intermissionless performance is a tour-de-force as McBurney entertains, enlightens and instructs with mesmerizing talent...At times it may feel like sensory overload. I zoned out at points but much like the most vivid dream, this 'Encounter' is impossible to shake." Full Review
"This virtuosic theater maker’s transporting bells and whistles indeed make 'The Encounter' the next best thing to being there...Those deriving little stimulation from learning the customs of a people who live in diametric opposition to us urbane types, may find themselves drifting off during the intermission-less show. It didn’t happen to me...'The Encounter' is a demonstration of the power of technology to immerse us ever more thrillingly in narrative art." Full Review
"At one point, McBurney asks you to close your eyes, thus allowing a sound picture to form in your head of something not actually happening. There will be temptations to close your eyes again, especially when the narrative begins to wear thin...You may find yourself drifting off, overwhelmed by the convincing aural landscape into losing the thread of the storytelling. This tendency for the drama’s contents to be subsumed by its form is 'The Encounter’s' most significant weakness." Full Review
"His performance is a verbal and physical tour de force...This late, rather long segment of the play dips into a New Age-y kind of mysticism that might not be to everyone's aesthetic taste. But taken in its entirety, 'The Encounter' is a bracingly original theater experience, and McBurney confirms his place as one of the most imaginative figures in the English-speaking theater." Full Review
"Given how thoroughly the audience is let in both on the technology and the artifice, it's remarkable how quickly and completely the piece becomes an immersive narrative...'The Encounter' is an extraordinarily visceral, often hypnotic piece of storytelling. It must be added, however, that any solo show running close to two intermissionless hours asks a lot of its audience, and this one is more impactful in the moment than in terms of lingering resonance." Full Review
"McBurney’s conversations with his daughter beautifully illustrate the fractured, if not fractious, quality of time and place. 'The Encounter' also easily trumps the book’s ability to convey the concept of beaming...Also, McBurney, a most engagingly relaxed performer, delivers big when he turns himself into wild beasts while experiencing oneness with the rain forest. It’s quite a show, both visually and aurally." Full Review
"McBurney is a passionate storyteller, both wily and wild; he needs no technological marvels to make his case. Yet the headphones emphasize the personal relationship he establishes with each auditor and it challenges us to reflect on how and why we surrender to his tale...Headphones are isolating, however, and they make the experience somewhat less communal...But when the sound is flooding and McBurney is chanting, 'The Encounter' is mood-altering and mind-expanding enough." Full Review
"We see that the theatricality—all sound, all the time—is not a device grafted onto the piece; it specifically fits the play’s examination of reality...It seems clear that people who are interested in this sort of adventurous theatrical spectacle will love 'The Encounter'...Other viewers might understandably opine that the emperor has no clothes; he (it) certainly has no scenery....It is the sound designers who are responsible for the binaural wizardry of the piece; think of 3-D for the ears." Full Review
"This is a unique theatrical experience. It might be compared to a live radio broadcast aided and abetted by contemporary audio were McBurney’s role not so emphatically physical. Close your eyes occasionally. Visual imagination provides. The story is fascinating, the script visceral and intimate, if a tad long. Acting is a tour de force...'The Encounter' is well served by sound designers Gareth Fry and Pete Makin. This is unquestionably the best and most intricate you’ll hear to date." Full Review
"The intermissionless hour-and-50-minutes, with themes about natives and the power of nature, comes off like a long sit (I also thought the exchanges between McBurney and the voice of his daughter were a tad too cute), but generally, this is a hypnotic work that breathes new life into the one-man show genre. Loud kudos-in-the-headphones to McBurney and cohorts, who include Michael Levine (design), Gareth Fry and Pete Malkin (sound)." Full Review
"Part of the thrill of 'The Encounter' is the astounding binaural technology...The result is practically like watching a 3-D movie...Yet most of what makes 'The Encounter' such an extraordinary theatrical outing is in the beautifully crafted telling of the tale by McBurney...In every moment, he brings enormous passion and conviction to the proceedings...The piece occasionally feels longer than it should...Still, audiences with an open mind will undoubtedly be changed for the better." Full Review
"A dazzlingly disorienting head-trip...McBurney's performance is a marvel of athleticism as he bounds around the stage from microphone to microphone. But it's way too easy, sitting in the dark being lulled by sound machines, to drift off for extended periods. The show feels much too long and, at points, way too heady...While 'The Encounter' ticks nearly all of the boxes of 'snob hit,' it ends up a breath of fresh air for audience members who believe in theater's ability to push boundaries." Full Review
"It's a mindblower...All of this is conveyed ingeniously by McBurney in an attic set as he re-creates for us the story through the use of much electronic gear that alters his voice for different characters...The show is a wonder, but I couldn’t help but feel it also was a bit of a con that forced us to pay more attention to the technical gimcrackery than to the extraordinary tale unfolding. Would imaginative staging with an actual cast, have had as much impact? I’d like to think so." Full Review
"Relying on sounds and downplaying the visual struck me as an odd way to tell the story of a professional photographer...The final phase of Loren McIntyre’s journey is a payoff for patience, when attention is drawn to the stage, as the performer takes off his shirt to reenact a shamanistic ritual, and the lighting, set and projection designers go to town, Simon McBurney’s well-honed theatricality–visual at last–matching the mystical, mesmerizing real-life fever dream he has been voicing." Full Review
"McBurney draws us in with him, sometimes deafened with layers of sounds. The experience is fascinating and at times, exciting...It is also fatiguing and demanding, 110 minutes without an intermission. McBurney is an intriguing performer, drawing us into his exhausting world with enthusiasm...'The Encounter' is a unique sensory theatrical experience, technology with immersive sonic effects that lend a feeling of isolation in a crowded theater." Full Review
"An aural rollercoaster. In its aftermath, the show leaves you with intellectual whiplash...The layers of ideas that underpin the show make this an unexpected and probing Broadway offering...Most of all, we become acutely aware of the act of storytelling in 'The Encounter'–the mechanics, the microphones, the music, and the objects of theatrical manipulation. Yet, we convert these articles of stage fiction seamlessly into this aural adventure, all the while knowing it’s a trick." Full Review
See it if you want to experience a unique form of story telling. Everyone in the audience wears headphones for this one man show to bring you into it
Don't see it if you're not a fan of one man shows. The show moves a bit slow and the novelty does wear off a bit
See it if you want an immersive piece of one man theater. McBurney puts everything on the stage and I was impressed with his stamina and endurance
Don't see it if you want a simple, classic form of theater, dont like wearing headphones for the entirety of the show
See it if You're open to wearing headphones and having an immersive aural experience, you like stories told in unique ways.
Don't see it if You don't want to wear headphones or go along for the ride, you don't like 1 man shows or can't sit for 2 hours without an intermission
See it if you want a one man show using clever technology to tell about real history of colonial exploitation and indigenous survival
Don't see it if you don't want a dizzying disorienting story about real persecution of indigenous South American tribes
See it if You like unconventional theater experiences. Immersive one-man show, using tech aspects of theater to bring you on his journey.
Don't see it if You prefer standard plays, don't want to wear headphones, don't want to use your imagination. Plain set. Uses sound effects to create show.
See it if you want to see a show unlike anything else on Broadway - technically dazzling and absorbing performances by a single man.
Don't see it if you're expecting a classic one-man show without modern flair and traditional plot.
See it if You like edgier, more experimental storytelling and technology. Super inventive staging, writing, and performing!
Don't see it if You want to sit back and relax. You've got to stay on your toes for this production in order to follow the story.
See it if you want to experience theater in a whole new way. I love a great story and a story told greatly!
Don't see it if you're not into the storytelling or if you find headphones uncomfortable.
See it if you enjoy one person shows that use technology as an tool, not a crutch to tell an engaging and engrossing story.
Don't see it if you don't like to think about environmental consequences of actions or the possibilities of real-life magic...
See it if you're intrigued by an unusual theater piece about perception and sound. It's quite a one-man saga, and an impressive technical feat.
Don't see it if mystical explorations of meaning and philosophy annoy you. also, some of the narrator's experiences are quite harrowing.
See it if you enjoy storytelling at its finest,excellent performance & non-traditional & excellent use of sound.
Don't see it if you do not care for one man shows or if wearing a headset the entire show would bother you.
See it if you love to think, are a protector or lover of Nature, or willing to listen to Simon McBurney surprise, instruct, and delight for two hours.
Don't see it if you dislike experimental theatre. This story-telling/foley artist is a one-man-show experience, informative about the Brazilian rainforest.
See it if You are open to a show where sound takes center stage; you like one-man shows
Don't see it if You will be offended by an encounter between a Westerner and indigenous people; you are not open to a theatrical experience of sound
Also Saw it with Richard Katz and he was amazing
See it if You are interested in other cultures and/or simply want to see an incredible show.
Don't see it if You have no interest in other cultures and don't like one-man shows.
See it if you want to get as far out of the box as you can on a Broadway stage, and love technical design and innovative performance.
Don't see it if you have a Pavlovian response to take a snooze when you put headphones on.
See it if you're game for imaginative auditory experience delivered with passionate intensity by impressively talented McBurney; are alert & focused!
Don't see it if you run late (miss headphone/tech check), want elaborate sets, are easily distracted, not open to unusual storytelling or topic (tribesmen).
See it if Money no object. Get it heavily discounted. Broadway completist must see only. Waste of time and money. Needed a 50% smaller venue.
Don't see it if Thin gimmick. Orchestra show. Major attn loss in mezz. Narrow seats, leaning patrons, Apple watch checkers. Child voice intrusive, annoying.
See it if You want a multi-sensory theatrical experience and want to be lectured to about a rainforest trip. Very cool sound design.
Don't see it if You are expecting human/prop-made noises the entire show. It's only for bits. Definitely long, and not for people who don't like headphones.
See it if you're interested in a unique theatrical experience involving headphones and the use of sound in a new way.
Don't see it if you don't like one-man shows; you aren't interested in the experience of a white man in the Amazon.
See it if you're ready for a true, seamless blend of technology & storytelling. It's an anthropological narrative spliced w/ commentary on its making.
Don't see it if you want a straightforward Broadway experience with minimal electronics (you wear headphones) and a larger cast (it's a one-man show).
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