"From its opening line, the play is focused on time and how it gets warped, especially behind bars. It’s challenging to convey that on stage in a powerfully visceral way, and in the end, the play is all-tell, no-show, blunting its impact."
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"If I were going to get granular, I’d say that what the adaptation misses is the way that the film documentary touches at times"
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"He [Brody] was, as is the play itself, repeating a good story but not providing deeper insight, giving us a mythology without a deeper sense of a man."
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"With Academy Award winner Adrien Brody and actress Tessa Thompson making their Broadway debuts, the play features some profound performances. However, it also feels tonally bumpy by the end."
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"This show exists in large part to elicit gasps by exposing the brokenness of the criminal justice system — not to make us know, understand and get lost in the life of a fellow human being."
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"The Fear of 13 is also about the way narratives take hold, how once they are officially accepted by authority, it is very hard to undo them—but not impossible."
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"Lindsey Ferrentino's dramatic adaptation aims to convey the full sweep of Yarris' history, but it skimps on the crucial points that would ground it in recognizable reality, often failing to provide crucial context as well as emotional engagement and suspense. The devil is in the details, and here the details are often missing."
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"The extent you get caught up in The Fear of 13 rests largely on how much you get caught up in Adrien Brody's compelling performance."
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