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"My reactions ranged between thinking this play was exhaustingly funny to finding it just plain exhausting...Everything is pitched so aggressively, you wind up feeling as battered as the ensemble. I propose putting your rational mind into sleep mode, the better to savor tickling images of order-inverting bizarreness, straight out of Dada, in which suddenly nothing is in its customary place or being used for its customary purpose. There's a wild, redeeming poetry in such anarchy." Full Review
"With its relentless working of a handful of hoary gags, it amply proved that the law of diminishing returns applies to the mechanics of farce perhaps more than it does to any other theatrical genre...The actors and the director certainly deserve commendation for the precision of the physical comedy...Long before the red herrings had been sorted out I came to feel that it wasn’t just the play-within-the-play that was going wrong, but the whole exhausting, exhausted conceit." Full Review
"This is a planned demolition (and an exceedingly well-executed one at that)...We wonder how on earth the performers are going to sustain this level of lunacy. Remarkably, they do...Their comic timing is so precise you can't help but laugh. Their pratfalls are so real, you can't help but gasp...'The Play That Goes Wrong' isn't a brilliant comedy, but you're going to laugh anyway. This is two hours of unapologetic, stupid fun, buoyed along by a cast of ultra-committed performers." Full Review
"So many jabs to the funny bone that even if only a third of them strike properly you're in for a sufficient number of laughs...While the cast members expertly pull off their madness with crack timing, the star of the show turns out to be set designer Hook...While there are plenty of laughs to be had, the enjoyment comes primarily from an appreciation of the comedic skills on display. A bit of empathy-inducing playwriting might elevate the show to something beyond a long, albeit amusing, skit." Full Review
"Depending on your tolerance for ceaseless slapstick, 'The Play That Goes Wrong' will either have you rolling in the aisles or rolling your eyes. It is certainly a marvel of coordination: The imported British cast deftly navigates the pitfalls of Nigel Hook’s ingeniously tumbledown set, and overacts with relish...But you may find it rather exhausting...It struggles to sustain interest in its series of absurdly unfortunate events. The show must go on, yes, but must it go on quite so long?" Full Review
"The show bears no small debt to Frayn’s classic farce, 'Noises Off,' but it pales by comparison...This effort is pure slapstick from first moment to last, and wears very thin over a two hour-plus running time...The production certainly fulfills its modest creative aspirations...There’s no paucity of wit to the proceedings, and Bell stages the action with clockwork precision...But for all the strenuous effort involved, the repetitive show evaporates in your mind the moment it concludes." Full Review
"It’s so ridiculous it makes you feel almost ashamed to love it...The tumble from slapstick into absurdity is the best part of 'The Play That Goes Wrong'...Not that the stage tricks aren’t fun...But those tricks and carefully rehearsed ineptitudes are not, in the end, deeply satisfying, however well achieved they are...Though they let too much air out of the concept, shriveling somewhat its effectiveness and diminishing its buoyancy, I laughed at all of those things." Full Review
“A machine that grinds out laugh after laugh…Technically, the orchestration of sight gags and slapstick on Nigel Hook's brilliantly rigged set is highly impressive. But is it actually, y'know, funny? As a lover of British humor...I have to say that an hour of this stunt is plenty for me. Cumulatively, it's farce on steroids, without any brains. I'd be lying to say I laughed as much as the people around me. Glad they had a good time. Me, I need a little substance to ground the guffaws.” Full Review
"Under the go-for-broke direction of Mark Bell, its high-energy cast is comic gold and manages to sustain, with a never-ending series of diversionary tactics, its one-joke concept...It’s more lowbrow, interested in the gag and shameless in how it gets it: sometimes incredibly inventively, but sometimes going for the low-hanging fruit...Though it could benefit from some cutting, the production is an idiot’s delight...But it takes a while before the laughs come at full speed." Full Review
"Two hours of hilarity...You would think this one-joke premise would run out steam after an hour, but Mark Bell’s breakneck staging keeps the guffaws building as the play-within-a-play keeps deteriorating. The English company is an inspired lot of buffoons...'The Play That Goes Wrong' is marvelously right with English visitors giving us Americans a welcome break." Full Review
"A silly slapstick backstage farce that has improbably opened on Broadway...Its silliness is relentless, beginning before all the playgoers have even taken our seats...The running jokes are repeated with what I suppose is intended as mounting hilarity, although some might see it as diminishing returns. 'The Play That Goes Wrong' could just as easily have had a running time of 20 minutes as two hours, without losing anything essential." Full Review
"Little more than a procession of gags, sometimes executed with tremendous dexterity, but most of them unconnected to anything resembling reality. They are gags for gags' sake...The pace is so relentless and the absence of anything but gags, gags, gags quickly wore out its welcome...If you don't find the first ten minutes amusing, settle in for a long night. If you find yourself laughing early on, you've come to the right place." Full Review
"Go see this play. There is NOTHING wrong with 'The Play That Goes Wrong.' Unless you've got something against laughing...My only quibbles with this production are that the last ten minutes or so happen so fast with so much falling apart on the stage that the intricate and hilarious story dissolves, along with everything else, before our eyes. What should have been fireworks is more like a fizzle...Nevertheless–get thee thither. Trust me. You need this much laughing." Full Review
“It’s 'Noises Off’ without the clever bits. Still, one does giggle a little and full credit to actors Lewis, Sayer and Shields for conceiving this show, writing and starring in it...It simply isn’t funny to have sets fall down…You need characters who seem aware of the disaster they’re in and are trying to figure a way out of the mess…All we get are punch lines with no setup…It’s not rooted in anything...Not always, mind you—sometimes real characters of a sort appear, almost as if by accident.” Full Review
“This is a show you can laugh, chuckle, giggle, chortle, snicker, guffaw, hoot, titter, and roar at as a farcical illustration of Murphy's Law...Under Mark Bell's inspired staging, everything works to make it seem like nothing's working, including a truly remarkable set...A good reason the havoc works is the sangfroid with which the...mummers play their idiotic characters...as they advance in perpetual combat with walls, windows, floor boards, pillars, doors, heads, and props.” Full Review
"'The Play That Goes Wrong' is a nonstop, intensifying rush in which the murder mystery is performed from beginning to end...It is strangely inspiring how this inept but well-meaning troupe keeps plowing through the script. As directed by Mark Bell, all of these obstacles are meticulously staged. The eight performers have individual personalities but come together to form a tight ensemble well-disciplined in the art of being hilariously bad." Full Review
"It's very funny, with more gags per minute than any new comedy in recent memory...There's no way not to laugh, almost continuously, at the spectacle of silliness unfolding before you...For all this, though, 'The Play That Goes Wrong' stops well short of hilarious. Even if, like me, you enjoy the nonstop antics across the two hours of playing time, you may find yourself frustrated by how shallow it all is...It's not enough to result in an evening that's satisfying, let alone coherent." Full Review
“Expect pratfalls galore, sight gags and a set that is timed for disaster by Nigel Hook, who will most definitely be nominated for a Tony Award…This whacked-out company of actors will have you laughing for almost two hours and, though each is superb, another Tony nod will go to Dave Hearn who steals the show just by being so amazingly super hyped to be there…This play may have gone wrong but when it does, it comes out deliriously right." Full Review
"'The Play That Goes Wrong' goes wrong so many times, in such mellifluous ways, and with such far-gone commitment to physical comedy...The rare farce with actual worth. A farce that bucks you up by reminding you of the great human capacity for resilience...The exceptional direction of the piece, by Mark Bell, embraces risk and danger to an extraordinary extent. That means 'The Play That Goes Wrong' never seems safe or comfortable in its own skin." Full Review
"The curtain rises and things go awry...It’s the stuff that makes for a funny 10-minute skit...Unfortunately, there’s another hour-and-a-half to go in this show. That’s a lot of time to spend trying to grin and bear it...The Mischief Theatre has a game cast that will try anything for a chuckle...But along the way they forsake the fact that comedy requires logic...A comedy that comes up short with laughs and overstays its welcome—now that’s murder." Full Review
"It’s funny. Sometimes it’s very, very funny, though you have to keep the faith through an almost appallingly tin-eared and flat-footed first act to get to the good stuff...An overabundance of non-sensical sight gags, slow burns, pratfalls, missed cues, wink-winks and the like dull the viewer’s senses and drag out a sophomoric sketch that would be sharper and funnier at an intermissionless 80 minutes. On the other hand...'The Play That Went Wrong' aspires to no higher goal than escapism." Full Review
"Without a dull unfunny moment in this two-hour production, I’d say it’s quite an achievement, one that even on second viewing kept me laughing from the first second to the last...It takes a lot of talent to be this bad and act terribly so well, and these troupe members mess up, fall down, get their lines out of sync, and ride this disaster out to the end, miraculously...If this is failing, then it’s the best failure I’ve seen on stage since the madcap 'Noises Off' last year at the Roundabout." Full Review
"Under Mark Bell’s direction, the ensemble cast delivers a high-energy, brilliantly acted farce that celebrates the magic of the theatre by highlighting its foibles—a resplendent conception concocted by writers Henry Lewis, Jonathan Sayer and Henry Shields...A gift to audience members: two hours to let their guard down and allow themselves to laugh again...Your brain will thank you for the resplendent release of endorphins and the boost in happiness and well-being." Full Review
"One must admire the cast of eight for creating vivid characters and precisely executing the script’s many slapstick bits...Director Mark Bell keeps things moving relentlessly. While I feel a bit churlish criticizing a work that had me laughing uncontrollably several times, I had a problem with the play’s length. I would have liked it twice as much if it had been half as long. Two plus hours of repetitive slapstick without much plot or any wit is more than I can enjoy." Full Review
"Finds the line that separates the annoying and stupid from the I-can’t-believe-I’m-laughing-at-this brilliance. And when the company hits that line, which it does over and over, resistance is ultimately futile...Although Mark Bell is the real director, he should get a special Tony for best choreography in a nonmusical. The physical comedy demands stopwatch precision to make the cumulative antics, not just pratfalls and spit-takes, work without hurting the real actors." Full Review
See it if you enjoy slap-shtick farces and run away jokes. Arrive early for the pre-show. The cast should be arrested for committing set crimes!
Don't see it if you're looking for anything more than 2 hours of laughter because it's not. Some jokes are obvious and too long but ACT II is...
See it if Nonstop physical comedy: sight gags, set malfunctions, word play, improvisations with the audience. Impressive talent.
Don't see it if You don't like this style of comedy, or don't want two hours of it. While this is not normally my thing, I enjoyed it and was glad I went.
See it if you want to just lay back and enjoy some well timed slapstick. It was a fun show that I really enjoyed and now sending my parents.
Don't see it if don't like slapstick type humor. Expecting a real deep drama.
See it if Breathless, non-stop farce about theater company's disastrous 1st preview Think Noises' Off w/o the finesse Best performance is the set
Don't see it if Needs to be shortened; looses momentum which is its lifeblood A steamlined 90 minutes would suffice but not w/o its silly, mindless charms
See it if you want to be entertained, laugh while hearing a constant stream of fellow audience members laughing, grin with each new surprise on stage
Don't see it if you are in the mood for a serious or thought-provoking play; or if you dislike slapstick humor
See it if You enjoy slapstick and want to be amazed at the timing of this hilarious farce. The performers were brilliant and full of energy.
Don't see it if If you find physical comedy boring and you don't like to laugh and participate with the fun
See it if you want to laugh non-stop for 2 hours. Slapstick humor ala Monty Python. The Brits know how to do comedy.
Don't see it if you're a stick-in-the-mud or a Grumpy Old Man. If you don't enjoy this, I think someone took out your funny bone.
See it if Slapstick/Vaudeville entertain you? Wanna see good actors acting badly intentionally, a great night of laughing at pratfalls!!!
Don't see it if If you don't like Benny Hill type comedy then you are better off spending your money on a different show.