To Kill a Mockingbird (Broadway)
Closed 2h 35m
To Kill a Mockingbird (Broadway)
89

To Kill a Mockingbird (Broadway) NYC Reviews and Tickets

89%
(1576 Ratings)
Positive
95%
Mixed
4%
Negative
1%
Members say
Great acting, Absorbing, Intelligent, Relevant, Great staging

Academy Award® nominee Greg Kinnear stars as Atticus Finch in Aaron Sorkin’s adaptation of Harper Lee's classic novel.

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Show-Score Member Reviews (1,576)

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84 Reviews | 1 Follower
100
Enchanting, Absorbing, Delightful, Clever

See it if You love the Book

Don't see it if You don’t love the book

115 Reviews | 19 Followers
100
Must see, Great writing, Great staging, Great acting, Clever

See it if Excellent production. When a white lawyer represents a black man accused of rape in the 1930’s. Great acting, wonderful play.

Don't see it if If the plot is not your speed, or adventure. It is an excellent play and must not be missed.

81 Reviews | 7 Followers
100
Masterful, Must see, Relevant, Thought-provoking, Ambitious

See it if You like dramas. This one is funny and well done.

Don't see it if You are not a "play" person. It is pretty long and might be a lot.

56 Reviews | 9 Followers
100
Must see, Thought-provoking, Masterful, Great staging, Great acting

See it if you breathe in oxygen.

Don't see it if you’re a zombie. EVERYBODY else must see this show.

69 Reviews | 91 Followers
100
Relevant, Masterful, Great writing, Great acting, Exquisite

See it if You want to see a classic brought to life by one of our finest writers (Aaron Sorkin) and one of our finest actors to boot (Jeff Daniels)!

Don't see it if You can’t handle long (over 2 hours) plays.

54 Reviews | 11 Followers
100
Entertaining, Ambitious, Great acting, Absorbing, Clever

See it if you want to see an Amazing adaptation of To Kill a Mockingbird.

Don't see it if if you dont like dramas

121 Reviews | 26 Followers
100
Must see, Profound, Relevant, Thought-provoking, Clever

See it if you're hoping for a beautiful adaptation of the classic novel.

Don't see it if you can't deal with the truth.

57 Reviews | 4 Followers
100
Great writing, Riveting, Great acting

See it if you want to see a masterfully executed and emotionally stirring play

Don't see it if You want something lighthearted UPDATE: I saw it pre and post pandemic. New version is more lighthearted and balanced

Critic Reviews (50)

The New York Times
December 13th, 2018
For a previous production

"Mr. Sher has made sure that every movement, every perfectly cast face, every stage picture and costume tells the story so precisely that it would do so even without words...Very effective; Mr. Sorkin apparently trusted that the actors, working with Mr. Sher, would fill in the blanks, and they do...It’s what happens in the gap between the old and new storytelling styles, as Mr. Sorkin tries to kill two mockingbirds with one stone, that gives me pause."
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Time Out New York
December 13th, 2018
For a previous production

"The play’s ambivalent approach to Atticus is satisfying but also sometimes glib...And despite Sorkin’s best efforts every righteous decision engenders new potential critiques...Yet the effort is commendable, and the execution is exemplary. The elegant production is stately but not stodgy...If Sorkin’s adaptation lacks the subtlety and plain-spokenness of Lee’s novel, it has moments of old-fashioned power and others of surprising tenderness."
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New York Magazine / Vulture
December 13th, 2018
For a previous production

"Sorkin has written a new play, and it’s characteristically taut and nimble, fluid and funny, with plenty to meditate on and argue about. Its goal is to speak audibly about 2018 and—sometimes poignantly, sometimes more heavy-handedly—it succeeds...Sher and his designers have created a shifting, breathing, gorgeously orchestrated world, and while the top-billed Daniels is indeed lighting up the stage as the story’s iconic lawyer, every member of the ensemble shines alongside him."
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New Yorker
December 18th, 2018
For a previous production

"The drama has been reworked so that the court case against Robinson is the frame for the whole play...The wrinkle is that Sorkin is very obviously worried about Trump, and about what the current political dispensation means for white folks of all political and ethical stripes...’To Kill a Mockingbird’ is a showcase for the competing liberal views of the races, depicting them in a kind of tortured but ever-improving dance.”
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The Wall Street Journal
December 13th, 2018
For a previous production

"A grotesque caricature of Lee’s novel, one at which anyone who loved 'To Kill a Mockingbird' as a child will take offense—as well they should...Mr. Sorkin has taken Atticus Finch and turned him into a naïve fool...In addition to perverting its spirit, Mr. Sorkin has done an inept job of putting it on the stage...Save for Adam Guettel’s homespun incidental music and a handful of strong performances, nothing about this 'Mockingbird' is any good at all."
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Deadline
December 13th, 2018
For a previous production

"The set-up is a Sorkin masterstroke, perfectly executed by director Bartlett Sher, a dreamy gambit that justifies every liberty this simultaneously revisionist and faithful 'Mockingbird' will take over the next two hours-plus...To my mind, only Frederick Weller’s evil Bob Ewell tosses the pitch too wide, and Sorkin deserves much of the blame there."
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Variety
December 13th, 2018
For a previous production

"The ever-likable Daniels, whose casting was genius, gives a strong and searching performance as Atticus Finch...The rest of the large and very fine cast perform their parts with all their hearts, under Sher’s impeccably fine-tuned direction...More faithful than not to its source...The designers have done a beautiful job of conjuring that era without smothering the narrative...This play belongs to Atticus Finch. He holds the stage and he wins our love."
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The Hollywood Reporter
December 13th, 2018
For a previous production

"It's to Sorkin's credit that he lets the contemporary parallels emerge naturally, without hitting us over the head, in a transfixing act of theatrical storytelling graced by exceptional ensemble acting. Perhaps the most notable achievement of this thoughtful adaptation and makes us hang on every word as if experiencing the story for the first time...Even the riskiest choices pay off...This is theatrical storytelling so assured and involving it's hard to imagine anyone not being mesmerized."
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