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$59 Monday-Thursday (Reg. $96)
$52 Friday-Sunday (Reg. $86)
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“An undeniably intelligent and multilayered play…This comedy with a bitter dramatic aftertaste will leave you pondering what exactly you just saw for days after…Norris has us mentally firing on all cylinders. Every beat seems to bring a new insight or argument to consider…A well-staged, sharply designed production…Greif and Norris steadily accelerate the flow of ideas and dramatic possibilities all the way to the end as we work to keep up with a play that always feels a few steps ahead of us.” Full Review
“A thoroughly engaging and exciting piece of theatre…As directed slickly and concisely by the total pro Michael Greif, this engaging and thrilling new play feels like the perfect mind game...This piece doesn’t make one misstep…Miraculously designed by Rachel Hauck, the set spins and messes with our sense of reality...It’s a piece of pure theatrical magic…But the true magic, beyond the impeccable performances, is the play itself. A work of fascinating puzzle-making.” Full Review
“Although there are metaphysical elements involved in the premise, don’t let that worry you. You don’t need to understand them to enjoy the play…Did I mention that the play is also very funny?...The production is first-rate: the cast is uniformly excellent, the direction by Michael Greif is sharp…The play has more to appeal to the intellect and the funny bone than to the heart. It runs a bit long too. But it you want to see a quirky example of superb stagecraft, I highly recommend it.” Full Review
"Having just seen the first New York production of this gently nihilistic comedy, I think I’ll never forget it...Keenan-Bolger’s gift as an actress is to keep her façade abnormally placid while revealing what’s just below the surface, as well as what’s wrenching her gut. Michael Greif’s direction pairs her beautifully with Gillette…In the end, its message is a downer, but the play is thrilling to watch while it’s there in front of us.” Full Review
“Norris has tackled some of life’s thorniest issues and difficult questions with an almost unprecedented mixture of honesty, humor and fearlessness. Those qualities are in evidence once more in ‘A Parallelogram’...a top-notch production under Greif’s remarkably assured direction…What could come off as mere intellectual pretension instead feels very real thanks to the efforts of this extraordinary cast…May not be Norris’ finest work, but I nonetheless implore you to make the time to see it!” Full Review
"One of the few magical plays out there this season...A clever loophole and a fascinating theory fill this play with mystery and wonder...Don't expect all the answers. But expect a wondrous, funny, heartwarming performance by all the actors in what might be Mr. Norris' second-best play." Full Review
“An intriguing and darkly comic science fiction-inspired play…It is well worth the visit…The performance of the play is dependent on some exquisite timing by the cast and crew…The characters take a back seat to the unpacking of the story, and the men, in particular, serve mostly as plot devices. But Keenan-Bolger and, especially, Gillette do a fine job in bringing to life the playwright's sometimes nihilistic, sometimes quirkily funny ideas about our insignificant place in the universe.” Full Review
"A super cast and Greif’s sharp staging of Norris’s snappy dialogue, characterizations, and provocative insights, make for an entertaining if sometimes overextended journey...Some of the ideas become repetitive. But the concepts with which the playwright deals are intriguing...He succeeds in laying them out in often hilarious situations and conversation...And hovering over everything is the superb, memorable, and enjoyable performance by Gillette." Full Review
“The restless, disturbing new play burrowed under my skin…I left 'A Parallelogram' with the same feeling in my internal organs that I’ve had after watching certain episodes of 'Black Mirror'—and Norris’ play strikes me as the closest I have seen a piece of contemporary theater come to accessing that same unsettling strain of science-not-quite-fiction…Norris, director Greif, and their company have done a rare thing: They have created a production that’s not asking to be liked.” Full Review
“A fascinating and occasionally humorous play about self-motivation. Specifically, what would you do if your older self came back in time and told you what your future holds? And nothing you do changes very much. Beautifully acted and directed, the show tackles a big question with intelligence. Taking place over a year of one young woman's life, it all works beautifully until the last 60 seconds, when too much is revealed. The end frustrated me, but I loved it for two hours.” Full Review
“You can see the ideas of class and status explored in 'Clybourne Park' percolating in this earlier existential comedy…Director Michael Greif allows Norris’s misanthropy to creep slowly into the proceedings…‘A Parallelogram’ is a dark piece that argues we’re unlikely to emerge from the primordial muck of our own creation.” Full Review
"'A Parallelogram' benefits enormously from Greif's deft direction and a cast skilled in the art of walking the tightrope on which their author has placed them...Not everyone will warm up to Norris' heartlessly analytical dramaturgy and you could make a case that the playwright is behaving rather abusively toward his heroine. But there's a tonic quality to his pessimism, with its implicit message that one had better get busy with the business of living since God only knows what is coming." Full Review
“Keenan-Bolger deftly carries the very engaging if not completely satisfying dark comedy with major assistance from a fantastic supporting cast…Gillette is a delight as Bees 2, 3, and 4…Greif’s direction is spot-on. He and his cast tell a tale that’s eminently laughable but tinged with sadness, even desperation…Norris’s play, in addition being very funny, is intelligent and incisive, which is why its ending disappoints…‘A Parallelogram’ sets us up for a strong finish but doesn’t deliver.” Full Review
"Bright performances and a smartly designed production (neatly staged by Greif) mitigate somewhat the sorrowful essence of Norris’s seriocomic tale. As the show progresses, it is possible that you will be able to overlook the not-altogether-credible sci-fi mechanics of the play to more pleasurably focus upon the characters...The dialogue is brisk, and so is Greif’s pacing; the half-dozen-odd 'Groundhog Day'-type repetitions in time are amusing. And the performances overall are persuasive." Full Review
“Why the insignificant Bee…is visited by her future avatar isn't answered, nor do we know why Bee 2 knows so much about quantum mechanics; many other questions could be raised about various contrivances, but Norris's concern is less with logical plotting than with establishing a basis on which to bat around ideas inspired by his time-bending conceit…Under Michael Greif's upbeat direction, the production is engaging…with Gillette's razor-sharp delivery of cynical observations leading the way.” Full Review
"A very dark though frequently funny puzzle play...It's been given a top-notch new production. And Norris, as usual, tells his story with humor and sharp dialogue...Unfortunately even the directing savvy of Mr. Greif and the terrific performances don't really manage a credible link between the real and surreal Bees. Consequently ‘A Parallelogram’ is memorable mostly for its tantalizing, if not always believable or easy to follow, stylishness." Full Review
"Under Michael Greif’s direction, the time-twisting tale unfolds in knockabout style thanks to Norris’s slick, Seinfeldesque dialogue and the cast’s deadpan comic talents. The badinage is a little too refined at times...But Norris makes up for such lapses with his flair for on-the-nose similes..But...'A Parallelogram' never fully develops its philosophically rich premise...It remains broadly entertaining, but 'A Parallelogram' ultimately seems to be missing a dimension." Full Review
"'A Parallelogram' is a thought experiment...Director Michael Greif...keeps this conceit from ever feeling corny by milking its humor...This is a more playful work, with many plot holes. Norris is less concerned with his characters' actual lives than with exploring a philosophical idea about what moral actions people should take when faced with the inevitability of death. It's more a parable than a social study." Full Review
“Whether you'll want to see ‘A Parallelogram’ depends on your palate for poison. Norris excels at writing conversations you heartily wish would end, and Keenan-Bolger and Kunken talk at each other with the kind of blank insistence that does, in fact, make you fear for humanity. I certainly came away with a bad taste in my mouth; the play is successful, as far as it goes, in making even the pre-apocalypse savor of ashes.” Full Review
"There is such a muddle of 'message' that one is at once intrigued and unsatisfied...Norris seems as much at sea as the rest of us...Director Michael Greif’s artful and experienced sensibility is evident in the smooth, sleight of hand misdirections...The actors bring talent and polish...Still, with all these gifts of talent and experience, 'A Parallelogram' falls short...A play needs more than a clown car of notions and a three-ring circus of ambiguity." Full Review
"The first half is clever and funny, with Norris making deft use of a sort of metaphysical remote control...As the story unfolds, though, a certain cynicism takes over...This playwright never seems quite so satisfied as when he's pitilessly anatomizing his characters' worst impulses and flaws. This approach can be entertaining, and certainly 'A Parallelogram' has its moments. But Norris fails to say anything here about fate, destiny and free will that hasn't been said countless times before." Full Review
"Greif keeps a sharp cast moving at a smart clip through a static text that’s more talk than action—and more thought than talk. Most of the conversation takes place in the bland bedroom of an unmarried couple who are themselves pretty bland...The problem with the play has nothing to do with science, or even sci-fi versions of time travel. The problem is that Bee is severely hamstrung by her limited imagination and lack of human compassion." Full Review
“More often than not it seems to be spinning its own wheels…‘A Parallelogram’ doesn’t live up to its sharpest moments. Whatever messages Norris is trying to impart are muddled at best and depressing at worst. The shifting perspectives add up to little more than clever narrative tricks…The play also feels needlessly dragged out…The performers do solid work, but Keenan-Bolger and Kunken are hamstrung by their characters’ shrillness...The saving grace is Gillette." Full Review
"If you knew in advance what was going to happen in your life and couldn’t change it, would you still want to go on? Audiences at Norris’s darkly funny but frustrating comedy...are likely to walk away with a different query: Is that all there is? Alas, yes. Despite pungent performances all around and a crisp staging by director Michael Greif...the play leaves you wanting...Leaving things up for grabs is one thing, but copping out is another...In the end, the play doesn't square." Full Review
“A puzzling, static meditation on determinism and free will that never coalesces satisfyingly…Keenan-Bolger as Bee has little to do but embody quiet desperation, looking blank and frustrated…Jay’s behavior marks him as a playwright’s construct; nothing about it rings true…Although there are several interesting ideas at play, the whole leaves one stymied…One must depend on the performances for satisfaction…It’s Gillette who soars…She’s the production’s best asset.” Full Review
See it if you are looking for a searing, unique show that twists, and forces you to contemplate society and morality, all the while making you laugh.
Don't see it if you want to see something uplifting or based completely in reality.
See it if You like the idea of meeting yourself in the future; you like plays that explore ideas that seem impossible; you like to think about a play
Don't see it if You only like straight-forward plays with a beginning, middle, and end with no confusion
See it if you enjoy great acting esp by Anita Gilette and Cecilia Keenan Bolger. Also if youu like to think. Concept re: Life is fascinating. Reality?
Don't see it if need a musical extravaganza or you prefer a play that spells out what is ahead. . .What's with revolving stages? 12 in last 6 weeks
See it if you like shows that challenge you to think, that are beautifully acted and have amazing sets. Story makes you think about time, space, etc.
Don't see it if you want a nice, pat little play.This one is thought provoking. I didn't like the set in the last act. It implied a living style. Offensive.
See it if If like us, you do not follow the vicious review of the NY Times see it before it close.An original play great writing, acting & directing
Don't see it if You do not like intelligent plays
See it if You like plays that leave you with a lot to think about concerning life and all the choices we make.
Don't see it if Plays with straight forward stories that you won't need to figure out in the end
See it if So completely thought-provoking; I couldn't stop thinking about this for days. Totally beguiling, well acted--an excellent night of theater.
Don't see it if I can't really think of a reason not to see it; the play/staging/acting was the total package. Maybe skip if you want a fun musical.
See it if You like thought provoking plays or plays about the choices one makes. Well acted and nice staging. Interesting plot twists and gripping.
Don't see it if You want to see a light hearted play, or a musical
See it if you like an intriguing, yet unconventional, plot development with humor and a good deal of gravitas. Ultimately, Not for the light of heart.
Don't see it if you are turned off by plays that make you ponder the meaning of life and your future.
See it if You enjoy theater that makes you think. This dark comedy will make you question what is real and what is not. Also great performances by all
Don't see it if You are looking to just sit back and be entertained and don't want to be challenged.
See it if ...you like to try to parse out reality from fantasy, and enjoy some fine acting along the way. Celia Keenan-Bolger, Anita Gillette!
Don't see it if ...you like your plots grounded in realism, told in a straight line.
See it if you love mind bending plots that dont give you all the answers and you leave the theater questioning your very exisitence
Don't see it if you like plays that are straightforward, happy and end with all loose ends tied up
See it if You can separate your thoughts well; you want to challenge your thoughts and intuitions
Don't see it if You have a hard time following sequences and separating things that happen more than once
See it if You want to have a interesting and thought provoking night of theatre, examining life and your decisions.
Don't see it if You don't want to have a thoughtful night of theatre, A Parallelogram will leave you with a lot to think about.
See it if You enjoy dramas which attack fundamental problems like free will and predestination. Best viewed as scenes of prior or post alternatives.
Don't see it if You insist on a linear plot.
See it if Well-acted sci-fi funny comedy about a married couple where the wife is "seeing things". So true when it says money is not key to happiness.
Don't see it if Very taken aback when they said "people won't think or care about the Holocaust or September 11th in the future"; that ruined the show.
See it if you like "puzzle plays" that make you think, ask questions, and discuss with others after the fact. And it IS funny.
Don't see it if you only like "straight-line" plays that take you from point A to point B.
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