"Ziegler's take leaves little room to interpret Antigone on terms beyond gender and sex, all but phasing out the elements of familial loyalty from the original drama."
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"Handled with proper care, this could be the basis of a compelling new vision of Antigone. But Ziegler’s play is sometimes quite bafflingly sloppy."
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“What works so well about Ziegler’s play is that this fundamental shift doesn’t function as a relevancy grab.”
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“A knotty, stiletto-sharp and fiercely funny new play by Anna Ziegler.”
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"But, as The Other Place also demonstrated, no matter how dire things appear in the current moment, they don't easily fit into the pitiless world of Sophoclean tragedy. It doesn't help that the world of Ziegler's play is insufficiently imagined."
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“Susannah Perkins absolutely soars in the title role”
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"The telling of three parallel but unrelated stories only muddies her pro-abortion stance."
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"If the first intervention gives us a new lens on the stakes, the second blunts and muddies them, turning Antigone’s searing and tragic outcome into a gentler, almost hopeful story about coming to terms with motherhood and motherlessness."
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