See it if A new, original take on a classic. Terrific performances. Still relevant.
Don't see it if The sound of Yoddish coming out of Chinese mouths is jarring to you.
See it if You like period pieces and can relate to Yiddish theater. Good acting and casting
Don't see it if You dislike off off Broadway shows and dislike reading translations on screen throughout
See it if You want to see a strong revival.
Don't see it if You aren't a fan of theatre from the 30's.
See it if you love Odets, personal and political stories mixed together, you love Chekhov, or old-timey NYC. You support artists of color.
Don't see it if you hate: period pieces, theatrical dialogue, hate Odets, Chekhov, or 'classic' play tropes. or love: new plays only, "historical accuracy"
See it if The series of vignettes about the complexity of life in the U.S. really present opportunities for discussion after the play.
Don't see it if The play relies on vignettes but does not seek to have an overall purpose other than consciousness raising. Nothing more than questions.
See it if you like to see new takes on classic works. This period drama finds new resonance with an all-Asian cast.
Don't see it if you don't like to see classics of the American theater.
See it if comes again
Don't see it if just see it
See it if You like to sing
Don't see it if If you don't like to sing
"Handsomely mounted... In Mia Katigbak's performance, you will recognize every mother who has sacrificed for her family...It’s Hennie, played with simmering rage by Teresa Avia Lim, who brings this “Awake and Sing!” most ferociously and rivetingly to life. This production has flat patches, though."
"What may seem at first like a kind of social experiment quickly becomes an all-around gripping evening in the theatre...Brown-Fried and his company probe deeply into the web of dependence and frustration that holds the Bergers together...'Awake and Sing!' is an American classic, and this most American of theatre companies does it proud."
" NAATCO’s diverse reimagining is a worthy revival...Director Brown-Fried has guided this production so that the modern audiences can see that the play is not just about a Jewish family, but more broadly, an American family...NAATCO has certainly made a strong argument for more diverse casting of classic American plays."
"In their attempt to integrate this iconic play, NAATCO didn’t go far enough. They held on to elements they didn’t need and refused to examine the new possibilities they proposed with anything more than lip service. What was intended as an investigation of an alternate cultural and racial point of view never made it out of the starting gate."
"All the actors are so convincing, and are so generally talented, that no one has an excuse not to be an adult about color-blind casting. They have succeeded in bringing the rhythms and vocabulary of Odets’ language to life -- and the language is the best part of 'Awake and Sing!' In contrast to Odets’ plot, which, with the passage of time, seems unabashedly melodramatic and mostly predictable, the speech is funny, idiosyncratically authentic and steeped in Jewish culture...The play’s melodrama is rescued by the verisimilitude of its performances."
"Be prepared to be won over by the acting in this play...Although it is set in 1933, the issues are still seen today thus making it a very relevant piece of work for new generations who are experiencing hard times both from the economy and from being immigrants."
"Even though this production does not have the bells and whistles the Broadway production had, this production has incredible talent, and they follow the script that is perfection! It was also very interesting to see an Asian company portray Jewish characters, and it was very believable. The show is a must see."
"A number of the actors stood out for their sensitivity and intelligence...It's often said that this frequently revived 1935 drama is Odets' best play. That's almost certainly true, but it's a little like saying that of all poisons cyanide is the most flavorful...Odets' presentation of his characters proves as willfully naive and sentimental as his politics."