Dutch Masters NYC Reviews and Tickets
Member Reviews (82)
See it if you are interested in realistically drawn characters, insights into class conflict, income inequality, race relations and remarkable acting.
Don't see it if you like lightweight plays, entertainment without "messages," and believe that income inequality and race conflict are "overblown."
See it if you want to see a great play about real issues'
Don't see it if you're a racist and/or a bigot.
See it if You like small off broadway shows with fabulous acting and writing
Don't see it if You are looking for something light and fluffy
See it if you love theatre exploring dissonant perspectives of young adults with common experiences but different race, education, and economic class
Don't see it if you prefer light themes, comedy, or musicals, avoid violence, conflict, guilt, or cannot sit 70 min without interval orvtravel to the LES
See it if This was a fantastic show! I totally recommend it to anyone. So impressed by the acting and the story and the staging.
Don't see it if would recommend this show to anyone interested in entertaining theater that makes you think. Read more
See it if Great acting, writing. Hope this show will live on with future iterations.
Don't see it if you hate small stages? (Unless a show is terrible, I can never think of something to say under this category).
See it if you're interested in a quintessential nyc story about white supremacy.
Don't see it if you don't want to see something serious.
See it if you want two young up and coming actors tackle a great script dealing with race and class, great directing too from actor Andre Holland
Don't see it if you want a light and fluffy night at the theatre, or something that wont challenge your views on race in usa
Critic Reviews (11)
"A good, tidy play, in its structure and even in its metaphors...The script asks provocative questions about appropriation and responsibility, but mostly it titrates its information in a slow, suspenseful drip, gradually revealing more and more about the circumstances that have drawn these two young men together. Each revelation reorients the relationship a couple of degrees...If 'Dutch Masters' were messier, it might be even better."
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"Holland crafts powerful stage portraits that play on Duff's swaggering buff blackness and Horowitz's timid, well-meaning whiteness; their physical interaction suggests a tense game of chess that keeps threatening to spill over into violence or sex...Although their star turns yield moments of heartbreaking drama, 'Dutch Masters' remains a one-note issue play. The basic situation is implausible...The back-and-forth interrogation that ensues seems formulaic."
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"A concise yet impactful work that manages to pack in a lot about troubled race relations in the US...Duff and Jake Horowitz's performances are especially vivid in highlighting the contrasts between the two characters, with Duff's alternately charismatic and terrifying extroversion bouncing off Horowitz's general nervous anxiety...A viscerally gripping experience...also a thought-provoking one, bound to inspire reflection long after its immediate intensity has worn off.""
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"Engrossing and racially charged two-character drama...with its shattering plot twist...In 70 gripping minutes, Keller takes this familiar premise in a compelling direction. His biting dialogue reflects the divisive era...Holland's kinetic staging mines all the tension possible with his varied pacing. The play's Pinteresque qualities are fully realized by Holland's strong grasp of stagecraft...Though its primary theme of race is vividly imparted, 'Dutch Masters' succeeds as well as a searing mystery."
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"Under the direction of actor André Holland, the impressive young cast navigates the play’s shifts and ambiguities beautifully...Keller’s script lets us down in the final moments, the action coming to an abrupt, anticlimactic stop. The situation it depicts may, indeed, have no neat resolution, but these characters deserve a better ending. It’s a testament to how well the rest of 'Dutch Masters' works that its disappointing conclusion is so jarring; overall, it’s a ride worth taking."
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"Holland has every sense of pacing of the play, written by his former NYU colleague, Keller. His script calls for frequent shifts in status, and the filmic quality of the performance feels like additional scenes could easily be spliced in. Holland also seems to love the everyday slice of life, perhaps, a vision of his younger self. Eric, played by Duff, is extraordinarily present. Steve, played by Horowitz, builds moments with an incredible sense of truth."
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"One of those plays that dares you to ask yourself some difficult questions...Expertly played by these two fine actors, they talk, with great discomfort and suspicion, about books, summer school, weed, girls, and plans for the afternoon. The connection between the two ricochet around, giving us a great deal to play with in terms of what is going on inside their heads...The interaction is tense with this conflict of viewpoints, but also hilariously well-played."
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"Tightly structured by Keller and beautifully directed by Holland...The source of their emotional bond gradually unfolds to become the heart of the play...The first half of the play unfolds almost like a mystery story...Every time you think you have a handle on it, another piece of data emerges and shifts the frame...The whole thing snaps into place. Everything you’ve seen before make perfect sense, and the whole scope of the play becomes both larger and more intimate."
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