See it if You like new twists on familiar ideas. Done very well. Both actors did a great job. Costumes and lighting very nice.
Don't see it if If you don’t want your classics messed with. This takes some liberties with who the author thinks Edgar Allen might have been.
See it if Smirky, theatrical rendition of E.A. Poe as a kid in boarding school. Plays with your moral compass. Wonderful music.
Don't see it if You don't like dark comedy. You don't care for the point of view of a mischievous, lonely, egotistical child.
"A perfect piece of dark comedy...By turns adorable and terrifying, but always manic, Hartman gives a captivating performance as young Edgar Allan. Meanwhile, as the other Edgar Allan, Nick Ryan turns out a performance that is hilarious in all the best ways possible...'Edgar Allan' is what you get when you turn out a script so proficiently written it seems like a playwriting miracle, then put it in the mouths of two darkly funny yet fascinating characters played by a pair of crazy good actors."
"A unique show...Humor in the song lyrics presents the conflict between the two Edgar Allans...Fantastically drawn dynamics between them whisper a dim future for both. Cryptic undercurrents of danger forward the action. Thematic threads of sorrow, loss, and injustice propel the story...If you enjoy merriment and dark farce, see it."
“A devilishly delightful show…Despite all the dark shadows, ‘Edgar Allan’ has a pleasing lightness -- frequent laughs add shading to the gloom, and musical interludes add spice to this tasty brew. Hartman plays the ukelele in an inspired touch, and has a lovely singing voice. Young Edgar fancies himself ‘remarkable.’ This atmospheric, highly entertaining show is exactly that."
“Hartman's powerfully piercing voice is haunting, and with their convoluted physicality, the duo looks like Edward Gorey illustrations brought to life. Don't miss this creepy, quirky charmer about friendship and murder among tweens, because ‘everything fun is a little bit dangerous.’”
“A triumph of storytelling with desperate songs and acting as ferocious as the twisted soul of social media, the play’s titular character is played as a bubbling spring of venom by Katie Hartman…The subtle question hanging like a wet spider in the corner: Is the second Edgar even real? It’s just one of this humble masterpiece’s charms…‘Edgar Allan’ is a perfect Fringe play, really. Clever, weird, moving and gorgeous on the ears, just a total delight to witness again. Go.”