See it if you like new work from an underrepresented voice that touches on family history, identity, and artistic voice
Don't see it if you prefer shows that stick to a traditional format, or don't poke fun at the audience and theater in general
See it if you have an interest in the subsistence-level island life in South Korea and the preservation of SK's rapidly vanishing traditional culture.
Don't see it if you dislike plays that are insistently META and self-referential and self-indulgent. Read more
See it if you enjoy a play that surprises you with every turn that it takes.
Don't see it if you aren't a fan of unorthodox narrative structure.
See it if you want to experience a brilliant young playwright’s cutting-edge script that speaks to both the human condition & today’s social order.
Don't see it if you want a traditional play, or don’t feel like thinking about persisting structural racism or the toxic state of real estate in 2020 NYC. Read more
See it if shows how Kor-Am playwright tries 2 find her creative identity; result-story of feisty/hilarious Korean divers that teems w life & loss
Don't see it if awkward 3-part structure moving from realism to meta-ism to absurdism; absurdist satire of white stage managers is blatantly obvious Read more
See it if You want to see an artist finding her voice. You still believe whites control content and perception in art, theater and life.
Don't see it if You are not interested in the unraveling of at least three plots as they then begin to interweave. A tremendous amount of swearing. Read more
See it if Like diving into the unknown, choppy waters of the past with strange surprises and emerging in the present. Interesting immigration story.
Don't see it if Meta, non linear, playwright writing the play in the play, some strange parts aren’t your thing. Cussing older women disturb you. Read more
See it if you're interested in principles of authorship and identity in modern American theatre.
Don't see it if you often complain about being "preached" to. Read more
"In ‘Endlings,’ the Pain of Swimming Between Worlds: What do Korean divers and Manhattan playwrights have in common? A new play looks for the connection."
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3/5 Stars. "These divers turn out to be red herrings for the bigger fish that Song is out to fry: herself, her creative process, and the systems supporting this very play. Although the result is less than cohesive, 'Endlings' is a bold and revealing act of autofiction."
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"Every Day a Little Death: 'Endlings' and 'Unknown Soldier'"
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"Diving for Metatheatrical Satire in Endlings: Celine Song's poison-pen letter of a play makes its New York premiere at New York Theatre Workshop"
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"The most inventive creative team can't paper over the fact that 'Endlings' is constructed out of two narrative stands that lead nowhere."
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"Since this is ultimately a play about real estate, where we should live. But you'll be thinking about Song's ocean-diving women long after you've stopped worrying about whether her integrity's intact. What a shame she didn't dig a little deeper into the play that actually means something."
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4/5 Stars. "Celine Song's fascinating and wonderfully complicated new play is clever and self-aware, in on its own joke, but also deeply serious."
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Score: 70%. "The word "endling" means the last of its species...I think you understand what I'm alluding to here."
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Two teenage missionaries are sent to Africa to spread the word of Jesus Christ. What could go wrong?
Michael R. Jackson’s Tony Award-winning new musical about a young artist grappling with identity.
Alex Lawther stars in director Robert Icke's acclaimed production of Shakespeare's tragedy.